We're continuing the Homegrown Plus series with a classic from a few years ago with our good friend Dom Flemons, who performs and records as The American Songster. Back in 2020, Dom performed in the Homegrown at Home concert series, the pandemic-era version of Homegrown, in which artists submitted video concerts and we premiered them online. Dom Flemons, a Grammy award winner with the Carolina Chocolate Drops, a four-time Grammy nominee, and a two-time Emmy nominee, was by no means a stranger to AFC. We first met him when he came in to do research in the Archive in 2007, which means that for almost 20 years he's been accessing and interpreting field recordings from our archive. Because of this, his repertoire includes many songs and tunes he learned from recordings of master musicians in the American Folklife Center archives. Appropriately, he was also the first artist featured in the Center's inaugural Archive Challenge in 2015. Dom approached the concert as an Archive Challenge opportunity, so all the songs have a connection to the AFC archive. As usual for this series, you’ll find a concert video, an interview video, and a set of links to explore.
In 2020, singer-songwriter Crys Matthews participated in the American Folklife Center’s Library of Congress/Folk Alliance International Archive Challenge in New Orleans. The song she selected was “How I Long for Peace,” a song written by Peggy Seeger and sung by Seeger during her concert at the Library of Congress in 2007. Matthews adapted the song for the Archive Challenge, taking inspiration not only from Seeger, but from the spirituals and freedom songs she had heard in church growing up. The song was a highlight of the Archive Challenge that year, so much so that Matthews continued singing it. A few years later, she suggested a collaborative recording of the song to Rhiannon Giddens, a groundbreaking performer and another friend of AFC, who has received a Grammy Award, a Pulitzer Prize, and a MacArthur “Genius” Fellowship, among other accolades. Matthews and Giddens, along with the Resistance Revival Chorus, released their version in 2024. Mostly by coincidence, Peggy Seeger, who had never released an official recording of the song, revisited it in 2021. In this blog, we’ll present the story of this special archive challenge, with Crys Matthews’s Archive Challenge video embedded, and links to the Peggy Seeger version from 2007, the version with Rhiannon Giddens and the Resistance Revival Chorus, and Peggy Seeger’s 2021 interpretation.
The artist known by the single name “Francilia,” whom we featured in a recent post, was one of the most prolific singers Alan and Elizabeth Lomax recorded on their 1936-37 trip to Haiti. In all, they recorded 96 songs sung by Francilia, who was known in the local community as a rèn chante (queen of song). Her repertoire ranged from religious songs to secular love songs, and she performed solo and with groups. Following the repatriation of Lomax’s collection to Haiti, Haitian musicians were able to hear Francilia, and in 2019 the group Lakou Mizik recorded one of her songs in an Archive Challenge showcase sponsored by AFC. In this post, we continue to present a few of Francilia’s best songs, with links to her entire opus in their online home, along with the Archive Challenge video of Lakou Mizik.
AFC is happy to introduce Amanda Pascali, the 2025 Artist in Resonance. Pascali is an internationally acclaimed, bilingual singer/songwriter who blends folk/Americana influences with Mediterranean, Balkan, and Latin rhythms. Born in New York City and raised in Texas, she has performed internationally, and was named the 2021 Houston Chronicle "Musician of the Year." Earlier this year, she performed in our very own Archive Challenge Showcase at Folk Alliance International. Pascali is also a Fulbright Fellow who pioneered the first comprehensive project to translate and revitalize folk songs written in Sicilian— a UNESCO endangered language. She has amassed a viral following online, and has presented her work at conferences and universities in the US and abroad. For her Artists in Resonance project, she plans to draw on several AFC collections in Italian, Sicilian, and English, emphasizing the connections between American folk music and Italian traditional songs, as well as between historical struggles and contemporary issues. In this blog, we’ll introduce this unique artist and her project, embed her Archive Challenge video, and link you to more of her music.
The American Folklife Center is delighted to announce that 40 more Archive Challenge videos have gone online. In the Archive Challenge, the American Folklife Center helps accomplished musicians and groups select a song from the archive, put their own spin on it, and play it in a special showcase. This set of one-song videos thus features a diverse array of musicians interpreting materials from the American Folklife Center archive. The newly published set includes videos from the Folk Alliance International conferences in 2024 and 2025, along with a wayward set of 2020 videos that were delayed due to the COVID-19 pandemic. They include folk and blues performers from near and far—including the U.S., Canada, Scotland, France, Nigeria, Haiti, New Zealand, and Australia. Find a sampler of embedded videos, along with the field recordings that inspired them, in this blog post, along with links to each year's videos.
The American Folklife Center is excited to announce that we’re bringing our Archive Challenge model to the Smithsonian Folklife Festival, both on the National Mall and streaming live on YouTube! Our good friends and colleagues across the Mall have cooked up a great festival on the theme of “Youth and the Future of Culture.” As part of the festivities, we’ve engaged 8 groups of young musicians to learn pieces from the Archive of Folk Culture and play them on the festival’s main stage. Youth Archive Challenge sets will occur on July 2, 4, 5, and 7 and will feature Irish American tunes, Hungarian folk dance, Anglo American traditional ballads, American old-time music, Persian Classical music, multiethnic street songs, Bulgarian folk music, and Caribbean steel pan—with a special appearance by frequent Festival and Homegrown artist Christylez Bacon. Find links to the schedule and the streams, as well as information on the performers, in this post!
In this post, Nicole Saylor, Director of the American Folklife Center (AFC), highlights the 2024 accomplishments of the AFC. The post demonstrates how 2024 was a busy and productive year for the American Folklife Center, as it continued to meet its mission to document and share the many expressions of human experience to inspire, revitalize, and perpetuate living cultural traditions.
The latest episode of the Folklife Today podcast features award-winning singer-songwriter Thea Hopkins, a member of the Aquinnah Wampanoag Tribe of Martha’s Vineyard. Thea took the Archive Challenge, adapting songs from the American Folklife Center archive. On the first occasion she arranged and sang a Creek lullaby which, according to Creek elders, was created during the Trail of Tears. For her second challenge, Hopkins wrote new lyrics for the song “Red Wing,” which originally contained damaging stereotypes of Native Americans. The new lyrics pay homage to pioneering Native film actress Lilian St. Cyr, who was known as “Red Wing.” In the episode, Thea discusses her process and the meanings of the songs with AFC staff members Stephen Winick, Jennifer Cutting, and Meg Nicholas; Meg, a fellow Folklife Today blogger, is one of the American Folklife Center’s specialists in Native song, and affiliated with the Munsee-Delaware Nation in southwest Ontario. The episode features the field recordings of both songs, as well as Thea’s new versions, and a fiddle tune by Chippewa fiddler Mary Trotchie. The blog post features the link to the podcast, full audio of most of the source songs, as well as relevant links to Native American resources and Archive Challenge tools.
On June 5, 2024, the American Folklife Center welcomed Istiwanāt Live!--an Arabic musical ensemble, or takht, formed by four ethnomusicologists with expertise in Middle Eastern music--to perform as part of the Homegrown Concert Series. Many of the group's songs were reinterpreted from archival collections at the American Folklife Center. In this post, find a video of group's performance and oral history interview, along with notes on their performance from ethnomusicologist (and current AFC intern) Hanna Salmon.
