The latest entry in our Homegrown Plus series features Celtic duo Rakish. As usual, it includes a concert video, an interview video, and a set of links to explore. Rakish is made up of violinist Maura Shawn Scanlin and guitarist Conor Hearn. Maura and Conor draw on the music they grew up with and perform it in a way that reflects their shared interest in and love for chamber music as well as improvised music. Maura Shawn, a two-time U.S. National Scottish Fiddle Champion, and a winner of the Glenfiddich Fiddle Competition, has the technical range of a classical violinist and the sensitivity of a traditional musician. Conor, a native to the Irish music communities of Washington, D.C. and Baltimore, MD, makes his home in Boston playing guitar for several traditional music acts and bands. Using musical form and harmonic language as focal points, Rakish demonstrate the influence and overlap between dance music and airs from Britain and Ireland and art music or classical music from surrounding countries. The concert included musical dance forms and tune types including jigs, reels, hornpipes, and airs, arranged from written collections to be performed on the fiddle and guitar. In the interview, we talked about how Rakish prepared for this concert. using musical transcriptions from The American Folklife Center and the Library’s Music Division, including late baroque and early galant music. Watch the concert and interview right in this blog post!
We're back with another entry in the Botkin Plus series AND another episode of the Folklife Today podcast! In this entry, we'll provide the video of a Botkin Lecture and a podcast interview, both of them featuring Cormac Ó hAodha. Cormac is the most recent Lovelace Fellow (aka Lomax Scholar) at the Library of Congress's John W. Kluge Center. That's a fellowship established within the Kluge Center especially for the study of the Alan Lomax collection, one of the American Folklife Center's signature collections. Cormac comes from the village of Cúil Aodha in the Múscraí Gaeltacht of Co. Cork in Ireland, a recognized heartland of the Irish language and traditional Irish-language singing. He is conducting in-depth research on the material Lomax collected some 73 years ago from singers in the Múscraí singing tradition, the same singing tradition Cormac grew up in and is a part of. Some of the people recorded by Lomax are Cormac's relatives, and his research seeks to illuminate their songs, their language, and their traditions. Follow the link to the post, the video, and the podcast!
Welcome back to Homegrown Plus! We're continuing the series with Martin Carthy, one of the best known and most critically acclaimed musicians performing traditional songs in England. Like other blogs in the Homegrown Plus series, this one includes a concert video and a video interview with the featured performer, plus links and connections to Library of Congress collections. Martin Carthy has been a leading figure in the revival of English folk music since the 1960s. He has been a member of many iconic formations, including the duo of Martin Carthy and Dave Swarbrick, the a cappella harmony group The Watersons, the pioneering electric folk-rock groups Steeleye Span and the Albion Band, the groundbreaking folk and brass combo Brass Monkey, and the acoustic folk groups Waterson: Carthy and Wood Wilson Carthy. He is also one of the most influential solo artists in folk music, with a guitar style emulated by practically all English folk guitarists since the 1970s. His versions of many traditional folksongs have become standards in the revival. He has also been influential in America: it was Martin who taught Paul Simon the traditional ballad “Scarborough Fair” in the 1960s. Martin has received every honor and accolade given for folk music in England, and has been awarded an MBE for services to Folk Music, roughly equivalent to receiving a National Heritage Fellowship in the United States.
We're back with another episode of the Folklife Today podcast! In this episode, John Fenn and I talk about some of our favorite items in the archive, including a Nagra IV-S portable tape recorder, and invite Jennifer Cutting along to talk about commercial recordings of traditional folk dance tunes collected by the English folklorist Cecil Sharp. We used the opportunity to honor folklorists Tony Barrand, who built upon Cecil Sharp's dance scholarship, and Mick Moloney, who made some great recordings on our Nagras. Barrand and Moloney both passed away in the last year. As usual, I'll present more complete recordings of the music and other related collections in this blog post, along with links to download the podcast itself.
