We continue the Homegrown Plus series with the duo of Alasdair Fraser and Natalie Haas, who perform their own unusual arrangements of traditional and original Scottish and American folk music on fiddle and cello. Alasdair Fraser has a concert and recording career spanning over 30 years, with a long list of awards, accolades, radio and television credits, and feature performances on top movie soundtracks, including Last of the Mohicans and Titanic. In 2011, he was inducted into the Scottish Traditional Music Hall of Fame. Natalie Haas, a graduate of the Juilliard School of Music, is one of the most sought after cellists in traditional music today, and has performed and recorded with Mark O'Connor, Natalie MacMaster, Irish supergroups Solas and Altan, Liz Carroll, Dirk Powell, Brittany Haas, Darol Anger, Laura Cortese, and many more. Together, the duo of Fraser & Haas has helped reconstruct and revive a longstanding Scottish tradition of playing dance music on violin and cello. For their socially distanced concert, they performed some music solo and some using studio technology to join up separate performances, but most of it is never-before-released concert footage from their archive of pre-pandemic performances. In the interview, we discuss their separate musical histories as well as their 20-year career as a duo.
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) I’m very happy to continue the series with The Murphy Beds, which is the duo of Eamon O’Leary and Jefferson Hamer. The Murphy Beds present traditional and original folk songs with close …
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with Vishtèn, an award winning Canadian band that performs both traditional and original Acadian music with rock energy. Their original “neo-traditional” compositions are based on …
Recently, I had occasion to compile a curated set of recordings from the American Folklife Center relating to Irish American women. The recordings were put together as a special gift for some VIP guests, but it occurred to me that we could share them with everyone else too, via the blog. And what better time …
This is a guest post by Valentina Bold and Nancy Groce. It has been updated to include the video of the James Hogg Symposium. Scroll down or read on to watch the symposium. On February 21, 2020, the American Folklife Center joined the University of Stirling to present a one-day public symposium celebrating the 250th …
This is a joint blog post written with Michelle Stefano. Episode Twelve of the Folklife Today Podcast is ready for listening! Find it at this page on the Library’s website, or on iTunes, or with your usual podcatcher. Get your podcast here! This is a special episode for us, in that it also marks the end of the …
The following was written by Hannah Rose Baker, a musician from Boston, MA, who recently completed an internship at the Smithsonian’s National Museum of American History. In 1938, in Beaver Island, Michigan, Andrew Gallagher, known locally as “Andy Mary Ellen,” sang a song called “Sentenced to Death” for Alan Lomax, who was collecting folk music …
This post is part of the series Hidden Folklorists. In the series Hidden Folklorists, we’ll profile people who have a surprising connection to folklife and folklife scholarship; surprising, because many of them are famous for other activities. From the earliest days of the discipline, folklife scholarship, in both senses of “collecting folklore materials” and “performing …
