This blog highlights a new episode of the Folklife Today podcast, which explores an important collection of Gullah Geechee sound recordings in the archives of the American Folklife Center. The collection features over four hours of Gullah Geechee people singing sacred music, preaching to congregations, and giving testimonies in 1955 and 1956. Courtney Siceloff, then-director of Penn Community Services, recorded this collection at community centers and churches across St. Helena Island, South Carolina. Dr. Eric Crawford, Interim Chair of the Music Department at Claflin University and the author of Gullah Spirituals: The Sound of Freedom and Protest in the South Carolina Sea Islands (University of South Carolina Press), joins this episode to contextualize these recordings and to inform listeners about the people who made them.
The artist known by the single name “Francilia,” whom we featured in a recent post, was one of the most prolific singers Alan and Elizabeth Lomax recorded on their 1936-37 trip to Haiti. In all, they recorded 96 songs sung by Francilia, who was known in the local community as a rèn chante (queen of song). Her repertoire ranged from religious songs to secular love songs, and she performed solo and with groups. Following the repatriation of Lomax’s collection to Haiti, Haitian musicians were able to hear Francilia, and in 2019 the group Lakou Mizik recorded one of her songs in an Archive Challenge showcase sponsored by AFC. In this post, we continue to present a few of Francilia’s best songs, with links to her entire opus in their online home, along with the Archive Challenge video of Lakou Mizik.
The disc labeled AFS 1250 features the great Haitian singer Francilia and the Sosyete Dereyal, a religious congregation of Vodou practitioners with whom she sang. Francilia was one of the most prolific singers Alan and Elizabeth Lomax recorded on their 1936-37 trip to Haiti. In all, they recorded 96 songs sung by Francilia, including solo songs and songs with the Sosyete. These ranged from religious songs to secular love songs. In this, our 1250th blog post at Folklife Today, we present a few of Francilia’s best songs, with links to her entire opus in their online home. It’s the first of two posts about Francilia; in the second we’ll cover her influence on Haitian music today.
The latest post in the Homegrown Plus series features Ensemble Sangineto, one of the most popular groups on the Italian folk scene. Just like other blogs in the series, this one includes a concert video, a video interview with the musicians, and connections to Library of Congress collections. The ensemble Sangineto is comprised of three talented singers and instrumentalists. Adriano and Caterina Sangineto are twins -- Adriano plays Celtic harp and Caterina plays bowed psaltery. Jacopo Ventura rounds out the trio on guitar. The group sings in three-part harmony, with Caterina's clear voice taking the lead. The Sanginetos are children of a world-renowned luthier who has spent years crafting instruments for some of the leading folk and early music performers, so their childhood was spent meeting and listening to such musicians as Derek Bell of the Chieftains and Alan Stivell, a foundational artist of the Breton music revival. Ventura is a conservatory trained classical guitarist who has branched out to play many of the stringed instruments common in European and Asian folk music. Their concert takes you on a trip through Italy via a traditional song from each region, with medieval, Celtic, jazz, and contemporary stylings among others, thrown in for good measure.
In the interview, we learn about their lives and the world of Italian folk music.
The American Folklife Center proudly announces the availability of an online collection of documentary field research created through the Community Collections Grants (CCG) program. Unearthing the Lost Songs of Kohala is an initiative of the research team of Mark Boots Keahi aʻamau pio ʻole i ka poli o Pele Lupenui (project director, interviewer, and musician), Adam Palya (videographer), and Cheryl Lupenui (project manager). Their year-long efforts have resulted in this unique collection of video recordings, song sheets, and photographs that document generations-old “heirloom songs” of the Kohala region in the northwest portion of the island of Hawai’i.
In 2024, Los Pleneros de la 21--a NYC-based organization whose members specialize in teaching and performing the Puerto Rican musical genres of bomba and plena--were awarded with a Community Collections Grant (CCG) by the American Folklife Center, to document musicians, teachers, and community members involved in bomba and plena music in New York, New Jersey, and Connecticut. This post is an excerpt of an interview with LeAna López, the primary interviewer for the project, about the group's CCG work. The full interview is accessible on the Library of Congress' Of the People blog.
Allow us to introduce Ozarks musicians Mark Bilyeu and Cindy Woolf (The Creek Rocks). The duo are our very first Artists in Resonance, and are here for a week of in-depth research. Mark and Cindy, who live in Springfield, Missouri, were chosen from among 22 applicants to the Center’s Artists in Resonance Fellowship. The fellowship is intended to support artists in creating new musical works inspired by and sourced from collection materials in the Center’s archives. During their fellowship, Cindy and Mark are focusing on the materials Sidney Robertson Cowell recorded in Missouri in 1936 and 1937 for the Resettlement Administration. According to the duo, the items in the collection from Springfield, despite probably being the earliest audio documents of folk music in and around that city, "seem to be virtually unknown to our local historical memory, save for but a very few figures immersed in the study of the Ozarks and its folklore." Their goal is to produce a full-length album of songs from the collection in new arrangements by The Creek Rocks. In this post you can read more about The Creek Rocks, find links to their work and to the other archival collections they’ve visited, and find out how to apply for future fellowships.
In this post, the American Folklife Center highlights a July 2024 concert performance and oral history interview with the Swanky Kitchen Band--an ensemble performing fiddle-based kitchen band music from the Cayman Islands.
