Allow us to introduce Ozarks musicians Mark Bilyeu and Cindy Woolf (The Creek Rocks). The duo are our very first Artists in Resonance, and are here for a week of in-depth research. Mark and Cindy, who live in Springfield, Missouri, were chosen from among 22 applicants to the Center’s Artists in Resonance Fellowship. The fellowship is intended to support artists in creating new musical works inspired by and sourced from collection materials in the Center’s archives. During their fellowship, Cindy and Mark are focusing on the materials Sidney Robertson Cowell recorded in Missouri in 1936 and 1937 for the Resettlement Administration. According to the duo, the items in the collection from Springfield, despite probably being the earliest audio documents of folk music in and around that city, "seem to be virtually unknown to our local historical memory, save for but a very few figures immersed in the study of the Ozarks and its folklore." Their goal is to produce a full-length album of songs from the collection in new arrangements by The Creek Rocks. In this post you can read more about The Creek Rocks, find links to their work and to the other archival collections they’ve visited, and find out how to apply for future fellowships.
In this post, the American Folklife Center highlights a July 2024 concert performance and oral history interview with the Swanky Kitchen Band--an ensemble performing fiddle-based kitchen band music from the Cayman Islands.
With gratitude and best wishes, the American Folklife Center notes that on September 30, 2024, after more than 40 years on the air, our longtime friend and colleague Fiona Ritchie ended her successful and influential weekly public radio program “The Thistle & Shamrock,” an institution in the Celtic music world. Fiona Ritchie has had close ties over the years with AFC staff members; she has been a guest in our “Open Mic” series of interviews, and two members of the AFC staff were featured on a 2-part “Thistle and Samrock” episode about the AFC’s history for our 40th anniversary in 2016. In this blog post, we pay tribute to Fiona and provide links to those programs.
In this post, the American Folklife Center (AFC) highlights a May 2024 concert performance and oral history interview with the Somapa Thai Dance Company and Orchestra--an ensemble performing traditional music from Thailand, whose members now predominately live in the Washington, DC metropolitan region. The AFC organized Somapa's performance in celebration of Asian American and Pacific Islander Heritage Month and as part of the 2024 Homegrown Concert Series.
On June 5, 2024, the American Folklife Center welcomed Istiwanāt Live!--an Arabic musical ensemble, or takht, formed by four ethnomusicologists with expertise in Middle Eastern music--to perform as part of the Homegrown Concert Series. Many of the group's songs were reinterpreted from archival collections at the American Folklife Center. In this post, find a video of group's performance and oral history interview, along with notes on their performance from ethnomusicologist (and current AFC intern) Hanna Salmon.
Rachel Sumner and Traveling Light, a trio from the Boston area playing bluegrass and old time music, are the latest entry in our Homegrown Plus series, in which we include a concert video, an interview video, and a set of links to explore. You'll find it all in this post...along with a bonus song video! Singer, multi-instrumentalist, and Lennon Award-winning songwriter Rachel Sumner is a fixture of the Boston roots and Americana scene. She fronts the trio Traveling Light on vocals, guitar and banjo, with Kat Wallace on fiddle and Mike Siegel on upright bass. Together they specialize in applying their deeply rooted bluegrass know-how to new interpretations of traditional folk songs and tightly crafted original songs written by Sumner. The band has previously participated in our Archive Challenge at Folk Alliance International and contributed a song to our special Labor Day presentation in 2003. In this concert they made a special effort to play some songs that are part of the American Folklife Center archive, making this another entry in the Archive Challenge as well.
The latest entry in our Homegrown Plus series features Celtic duo Rakish. As usual, it includes a concert video, an interview video, and a set of links to explore. Rakish is made up of violinist Maura Shawn Scanlin and guitarist Conor Hearn. Maura and Conor draw on the music they grew up with and perform it in a way that reflects their shared interest in and love for chamber music as well as improvised music. Maura Shawn, a two-time U.S. National Scottish Fiddle Champion, and a winner of the Glenfiddich Fiddle Competition, has the technical range of a classical violinist and the sensitivity of a traditional musician. Conor, a native to the Irish music communities of Washington, D.C. and Baltimore, MD, makes his home in Boston playing guitar for several traditional music acts and bands. Using musical form and harmonic language as focal points, Rakish demonstrate the influence and overlap between dance music and airs from Britain and Ireland and art music or classical music from surrounding countries. The concert included musical dance forms and tune types including jigs, reels, hornpipes, and airs, arranged from written collections to be performed on the fiddle and guitar. In the interview, we talked about how Rakish prepared for this concert. using musical transcriptions from The American Folklife Center and the Library’s Music Division, including late baroque and early galant music. Watch the concert and interview right in this blog post!
On April 10, 2024, Dr. Melissa Cooper (Associate Professor of History, Rutgers University-Newark) presented a fascinating lecture on Gullah Geechee cultural history at the Library of Congress, as part of the American Folklife Center's Benjamin A. Botkin Lecture Series. In this post, we highlight the video recording of Cooper's lecture and an oral history interview with Cooper, conducted by American Folklife Center staff members.
This post looks at photos and recordings of some important calypso stars of the 1940s New York music scene, Macbeth the Great (Patrick MacDonald), Duke of Iron (Cecil Anderson) and Lord Invader (Rupert Grant). The 1947 photos are part of the William P. Gottlieb collection at the Library of Congress Music Division, while the recording of a full-length 1946 concert by the three performers is part of the American Folklife Center’s Alan Lomax Collection. These collections shed light on an interesting time in American music, before the emergence of rock and roll, when calypso and related Caribbean styles were vying for popularity with other folk music genres. In 1944, the Andrews Sisters had a major hit with Lord Invader's "Rum and Coca-Cola." In 1956, Harry Belafonte's "Calypso" became the first million-selling LP record. During the period between those milestones, it looked possible that calypso could emerge to be one of the leading styles of American pop music. Performers like Duke of Iron, Macbeth, and Lord Invader engaged in friendly competitions like the ones documented by Gottlieb and Lomax, using witty lyrics, catchy music, and personal charisma to fascinate audiences on stage and on record. Find the photos and a link to the concert audio in this blog post.
