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Category: Folk Music

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What’s in a Whistle? The Curious Beginnings of an Ending Trope

Posted by: John Fenn

This is a guest post by American Folklife Center archivist Kelly Revak. As I covered in a previous blog post, I have been exploring the “experimental recordings’ of Jesse Walter Fewkes and discovering a number of items of folkloric interest therein. One of these Fewkes recordings is at least somewhat well-known and that is this …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

From “Mule-een” to New Orleans: Just What Was Lead Belly Saying?

Posted by: Stephen Winick

Introduction The great American songster Lead Belly, first recorded by John A. and Alan Lomax for the Library of Congress in 1933, is a towering figure in global popular music. In some cases, his influence can be clouded, or hard to understand, because of his own enigmatic personality and because of the fragmentary nature of …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Tracking Lomax’s 1952-53 Spain trip

Posted by: John Fenn

Ascensión Mazuela-Anguita is the current scholar in the Jon B. Lovelace Fellowship for the Study of the Alan Lomax Collection, and has been using her time at the Library of Congress to explore materials held at the AFC related to Lomax’s 1952–53 field recording trip to Spain. In this recent guest post on the Kluge …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Billy Bragg, Skiffle Historian and Singer, Visits the Library July 21

Posted by: Stephen Winick

This blog post about the singer-songwriter Billy Bragg is part of a series called “Hidden Folklorists,” which examines the folklore work of surprising people, including people better known for other pursuits. Billy Bragg will be here for a book talk, July 21 at 7:00 pm in the Mumford Room of the James Madison Memorial Building. …

Two men seated, one playing guitar, the other playing fiddle.

“No One Can Ever Forget It”: Stavin’ Chain’s Performance of “Batson”

Posted by: Stephen Winick

Note: This is the second in a series of posts about the murder ballad “Batson.” This one discusses the performance recorded by John A. and Alan Lomax from a trio of musicians including Wilson Jones, a.k.a. Stavin’ Chain, in 1934. A little while back, I presented for the first time anywhere a version of the …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

The Painful Birth of Blues and Jazz

Posted by: Stephanie Hall

One hundred years ago this month, February 26, 1917, what is generally acknowledged as the first recording of jazz was released. “Livery Stable Blues,” performed by the Original Dixieland Jass Band [1] was a best-selling record for Victor, but is a problematic “first” as it is a recording of a white band performing an African …