May Eve, April 30th, and May Day, May first, have long been part of the celebration of spring in Europe. The flowering of fruit trees and sowing season were important to agriculturalists in the hope of a good harvest. Lambing, kidding, and calving season had passed, so animals could be allowed out to more remote …
In my last post, I discussed the more serious side of songs about Noah’s ark. As I mentioned, though, there are other songs too, often with more celebratory messages–or even silly ones. We’ll look at some of those Noah songs in this post. Celebratory songs tend to focus on the joy felt by Noah when …
The tale of Noah and the ark is one of the Bible’s perennially popular stories. Children’s books, novels, comics, TV shows, and even movie novelizations are forever emerging onto the scene, depicting the story of the great flood. There’s even a motion picture out right now, featuring a modern take on the story. It may not …
During a recent trip to the University of Iowa at the invitation of the Digital Studio for Public Arts and Humanities, I took the opportunity to show off some of our recently digitized recordings made by folklorist Harry Oster (1923-2001), who was on the English faculty at Iowa for 30 years. The American Folklife Center …
Helene Stratman-Thomas (1896–1973) emerges from this cavalcade of (Wisconsin folk music) scholarship as neither the first, nor the most persistent, nor the most prolific, nor the most expert collector of Wisconsin’s musical folklore, but she is, and perhaps always will be, the most significant. — James Leary, The Wisconsin Patchwork: A Companion to the Radio …
This week, I had the distinct honor and pleasure of highlighting the American Folklife Center’s Ozark Mountain collections, especially those from the state of Missouri, in a lecture and audio-visual presentation in the Library’s Whittall Pavilion. It was a great opportunity to share our collections with an audience of interested folks who all have firsthand …
Folklorist John Wesley Work III lived in an extraordinary time in the development of African American music. He was in college as the Harlem Renaissance began. African American composers were developing traditional blues into elite compositions and the piano became an instrument for new styles such as jazz and boogie-woogie. Work, like his brother Julian, …
On Friday, February 21, the American Folklife Center will host a discussion and screening of clips from the upcoming film premiere of “This Ain’t No Mouse Music!”: The Story of Chris Strachwitz and Arhoolie Records with the filmmakers Chris Simon and Maureen Gosling. Please join us from 12:00 noon to 1:30 pm in the Whittall …
Although folksingers Pete Seeger, Guy Carawan, and Frank Hamilton registered copyright on “We Shall Overcome” in 1960, the song has a long and fascinating history with contributions from many activist-singers. We can trace it back to two separate songs from over a hundred years ago, the lyrics from “I’ll Overcome Some Day” written by the …