On April 10, 2024, Dr. Melissa Cooper (Associate Professor of History, Rutgers University-Newark) presented a fascinating lecture on Gullah Geechee cultural history at the Library of Congress, as part of the American Folklife Center's Benjamin A. Botkin Lecture Series. In this post, we highlight the video recording of Cooper's lecture and an oral history interview with Cooper, conducted by American Folklife Center staff members.
This post looks at photos and recordings of some important calypso stars of the 1940s New York music scene, Macbeth the Great (Patrick MacDonald), Duke of Iron (Cecil Anderson) and Lord Invader (Rupert Grant). The 1947 photos are part of the William P. Gottlieb collection at the Library of Congress Music Division, while the recording of a full-length 1946 concert by the three performers is part of the American Folklife Center’s Alan Lomax Collection. These collections shed light on an interesting time in American music, before the emergence of rock and roll, when calypso and related Caribbean styles were vying for popularity with other folk music genres. In 1944, the Andrews Sisters had a major hit with Lord Invader's "Rum and Coca-Cola." In 1956, Harry Belafonte's "Calypso" became the first million-selling LP record. During the period between those milestones, it looked possible that calypso could emerge to be one of the leading styles of American pop music. Performers like Duke of Iron, Macbeth, and Lord Invader engaged in friendly competitions like the ones documented by Gottlieb and Lomax, using witty lyrics, catchy music, and personal charisma to fascinate audiences on stage and on record. Find the photos and a link to the concert audio in this blog post.
This interview by AFC staff member, Guha Shankar, with Sarah Bryan, Executive Director of the cutural arts organization, the Association for Cultural Equity (ACE), highlights ACE's work in producing a range of programs and publications that raise public awareness of the richness and diversity of global expressive culture. ACE works in collaboration with the Library in several areas. particularly initiatives that center on the merican Folklife Center's seminal Alan Lomax collecton of world music, song and dance recordings.
This guest post is by Melanie Zeck, one of our Reference Specialists at the American Folklife Center. As the stage door opened, blindingly bright lights struck my eyes. I strode over to the piano, sensing that the audience was following my every move. At that moment, I realized that no one—not even the orchestra members …
Filed away in the archives of the American Folklife Center is a little piece of radio history in the form of an oral history interview and eleven black and white photographs. The subject of the interview is Burgess Hall, who began playing music with his siblings around the age of eight. In the 1930s, Burgess and several of his friends began performing music at shows in West Virginia and Kentucky. During their three-year stint as the Burgess Hall String Band, they were invited to play several shows in Wheeling, West Virginia, including radio shows "Wheeling Jamboree" and "It's Wheeling Steel." In this guest blog post, AFC folklife specialist Meg Nicholas describes the collection, shows us some of the photos, and reveals a touching connection to her own family.
The American Folklife Center (AFC) is proud to announce a new research guide, which highlights AFC collections related to the National Heritage Fellowship from the National Endowment for the Arts. The National Heritage Fellowship is the highest honor for the traditional arts in the United States. Since 1982, the award has recognized lifetime achievement among traditional artists and advocates for the traditional arts. On Friday, September 29, 2023, the American Folklife Center will be hosting a public ceremony to honor the 2023 recipients of the National Heritage Fellowship. Awardees of the 2020, 2021, and 2022 National Heritage Fellowship will also be celebrated, as the COVID-19 pandemic inhibited their in-person recognition. Find about about the new guide and the ceremony in this blog post!
For many years, the song "Booth" or "Booth Killed Lincoln" has been considered a prime example of a traditional ballad about a historical event. Telling in remarkable detail the story of John Wilkes Booth's assassination of President Lincoln in 1865, the ballad seems ripped from contemporary headlines. Bascom Lamar Lunsford, who sang the song for the Library of Congress in 1949, has been credited as the song's collector, and many sources indicate a date of about 1890 as the latest possible origin for the song, since Lunsford said he heard his father sing "some of the stanzas" to the fiddle tune "Booth." But is there another possible explanation of the song's origins? In this post, we'll look more closely at Lunsford's various recordings of "Booth," as well as unpublished primary-source and secondary-source evidence in the AFC archive, to try to piece together the birth of "Booth."
Alice Cunningham Fletcher, anthropologist and ethnologist, is most known for her work with Native American groups and her early field recordings of Native American culture. However, this blog will focus another aspect of Fletcher’s fieldwork, a small group of rare and invaluable recordings of traditional Korean music, which she made on July 24, 1896. These cylinders contain the earliest known recordings of Korean music in the world, and predate the next documented recording of Korean song by 11 years. Specifically, they contain songs sung by Korean students whose names are often transliterated today as Ahn Jeong-sik, Lee Hee-Cheol and Son Rong. In this blog you can see a video lecture by Robert Provine about the cylinders, and hear four songs from the collection. These fascinating Korean recordings testify to the historical significance of AFC's cylinder collections to diverse communities all over the world.
It's hard to believe, but this is the 1000th published post here at Folklife Today! To celebrate, we'll talk about one of the songs on the Archive's 1000th disc. It reveals a lot about the history of the archive, the methods of Alan Lomax, and the development of a well known cowboy song. It also introduces us to "Daca," a little-known folksinger active from the 1920s through the 1940s, whom we'll profile in a later post. This track is known as AFS 1000 B2, and is Alan Lomax, then Assistant-in-Charge of the archive, singing "Ten Thousand Goddam Cattle." In the blog you can hear the song, read about where Lomax learned it, find out about its roots in "The Virginian" by novelist Owen Wister, and examine the influence of Lomax's version on the song as it was later sung by cowboys.
