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Category: Folk Music

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Collections documenting cultures in Brazil, the Sudan region, New Mexico and California are now richly described online

Posted by: Nicole Saylor

A handful of recently published online finding aids describing American Folklife Center collections provide detailed windows into collections documenting a range of traditions, from New Mexican Midwinter Masquerades to traditional music from the Sudan region. The following round-up draws heavily on descriptions created by the archivists who processed these amazing collections. Roxane Connick Carlisle Collection, …

A man sits in a chair with a small banjo

Brooklyn Folk Festival Turns 10: Q&A with Eli Smith

Posted by: John Fenn

A little over a decade ago, Brooklyn-based musician and promoter, Eli Smith, merged his passion for folk music with the inspiration he got from the community of artists calling New York City home and created the Brooklyn Folk Festival. Along the ten-year journey of the Festival, Eli has engaged the American Folklife Center in numerous …

Portrait of a man sitting in a chair

What’s in a Whistle? The Curious Beginnings of an Ending Trope

Posted by: John Fenn

This is a guest post by American Folklife Center archivist Kelly Revak. As I covered in a previous blog post, I have been exploring the “experimental recordings’ of Jesse Walter Fewkes and discovering a number of items of folkloric interest therein. One of these Fewkes recordings is at least somewhat well-known and that is this …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

From “Mule-een” to New Orleans: Just What Was Lead Belly Saying?

Posted by: Stephen Winick

Introduction The great American songster Lead Belly, first recorded by John A. and Alan Lomax for the Library of Congress in 1933, is a towering figure in global popular music. In some cases, his influence can be clouded, or hard to understand, because of his own enigmatic personality and because of the fragmentary nature of …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Tracking Lomax’s 1952-53 Spain trip

Posted by: John Fenn

Ascensión Mazuela-Anguita is the current scholar in the Jon B. Lovelace Fellowship for the Study of the Alan Lomax Collection, and has been using her time at the Library of Congress to explore materials held at the AFC related to Lomax’s 1952–53 field recording trip to Spain. In this recent guest post on the Kluge …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Billy Bragg, Skiffle Historian and Singer, Visits the Library July 21

Posted by: Stephen Winick

This blog post about the singer-songwriter Billy Bragg is part of a series called “Hidden Folklorists,” which examines the folklore work of surprising people, including people better known for other pursuits. Billy Bragg will be here for a book talk, July 21 at 7:00 pm in the Mumford Room of the James Madison Memorial Building. …

Two men seated, one playing guitar, the other playing fiddle.

“No One Can Ever Forget It”: Stavin’ Chain’s Performance of “Batson”

Posted by: Stephen Winick

Note: This is the second in a series of posts about the murder ballad “Batson.” This one discusses the performance recorded by John A. and Alan Lomax from a trio of musicians including Wilson Jones, a.k.a. Stavin’ Chain, in 1934. A little while back, I presented for the first time anywhere a version of the …