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Category: Folklorists

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Caught My Ear: Dance Tunes in the National Jukebox from Collections by Cecil Sharp

Posted by: Stephanie Hall

Many divisions of the Library of Congress have fascinating collections that are closely related to folklife and that complement collections in the American Folklife Center. The Recorded Sound Section is a part of the Library that works closely with the American Folklife Center in a variety of important ways. Among their holdings are recordings related …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Folksong Collector and Singer Margaret MacArthur

Posted by: Stephanie Hall

Margaret MacArthur (May 7, 1928 – May 23, 2006) was a folksong collector, singer, and player of the Appalachian dulcimer. She performed traditional ballads and songs at the Library of Congress in 2005, one of the first of the American Folklife Center concerts recorded for the web, and the video of that concert is presented …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Alabama Folklorist Ruby Pickens Tartt

Posted by: Stephanie Hall

If asked her about her profession, Ruby Pickens Tartt (1880-1974) would say that she was a painter. In an era when Alabama women rarely attended college, she graduated from the Chase School of Art in New York and painted and taught painting for much of her life. But folklorists consider her one of their own. She was …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Corridos of the Texas Border Collected by John and Ruby Lomax

Posted by: Stephanie Hall

On September 15 and 16, 2015, AFC will be featuring a lecture and workshop with Juan Díes, and a and concert with Sones de México Ensemble, presenting the corrido, a type of narrative song native to the Texas-Mexico border region. In honor of these events, I thought I would introduce our readers to some of …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

John Wesley Work III: Documenting Musical Change

Posted by: Stephanie Hall

Folklorist John Wesley Work III lived in an extraordinary time in the development of African American music. He was in college as the Harlem Renaissance began. African American composers were developing traditional blues into elite compositions and the piano became an instrument for new styles such as jazz and boogie-woogie. Work, like his brother Julian, …