In 2024, Los Pleneros de la 21--a NYC-based organization whose members specialize in teaching and performing the Puerto Rican musical genres of bomba and plena--were awarded with a Community Collections Grant (CCG) by the American Folklife Center, to document musicians, teachers, and community members involved in bomba and plena music in New York, New Jersey, and Connecticut. This post is an excerpt of an interview with LeAna López, the primary interviewer for the project, about the group's CCG work. The full interview is accessible on the Library of Congress' Of the People blog.
In this post, the American Folklife Center highlights a July 2024 concert performance and oral history interview with the Swanky Kitchen Band--an ensemble performing fiddle-based kitchen band music from the Cayman Islands.
Patrick Tayluer, the retired sailor who recorded 79 sea shanties, ballads, and stories for the Library of Congress in 1942, was fascinated by Australia. In this post we present several of his Australian songs and stories. We also recount his epic 7500 kilometer walk across the continent from late 1929 to early 1931. The post includes audio of two songs, including a bushranger ballad never collected from any other source.
This post continues Stephen Winick's series on the sea songs of Patrick Tayluer, and finishes the story of "The Leaving of Liverpool," the lyric lament of a nineteenth-century mariner who leaves his hometown of Liverpool for San Francisco. In this post Steve outlines how the song became a major part of the folk revival, and gives links to versions and adaptations performed and recorded by everyone from the Clancy Brothers to the Kingston Trio and Ewan MacColl to Bob Dylan. He asks what can be learned from Patrick Tayluer's version of the song. Finally, he provides a fragmentary recording of the song from 1942, sung by a woman, and discusses who the mystery singer might be!
This post continues Stephen Winick's series on the sea songs of retired sailor Patrick Tayluer, collected in 1942. One of the songs William Doerflinger collected from Tayluer was "The Leaving of Liverpool," the lyric lament of a nineteenth-century mariner who leaves his hometown of Liverpool for San Francisco, through the treacherous seas around Cape Horn. Doerflinger had previously collected it from another retired sailor, Richard Maitland. Years later, based on Doerflinger's publications, the song became a major part of the folk revival, with versions and adaptations performed and recorded by everyone from the Clancy Brothers to the Kingston Trio and Ewan MacColl to Bob Dylan. This post looks at Tayluer and Maitland and their field recordings of "The Leaving of Liverpool."
This post in the Homegrown Plus series features the Windborne Trio, a vocal group from New England. Windborne is usually a quartet, but Jeremy Carter Gordon was prevented from performing at this show. Luckily, before Jeremy joined the group, Windborne toured as a trio, so they had the repertoire, arrangements, and experience to put together a stunning show without him. Consequently, for this concert Windborne was Lynn Mahoney Rowan, Will Thomas Rowan, and Lauren Breunig. In their concert they performed a mix of old and new favorites, including American, English, Georgian, Corsican, and Basque songs. Just like other blogs in the Homegrown Plus series, this one includes a concert video, a video interview with the musicians, and connections to Library of Congress collections.
This is the third in a series of blog posts looking at the sea shanties, songs, and stories sung and told by retired sailor Patrick Tayluer for collector William Main Doerflinger in 1942. Many lovers of sea shanties have heard of Patrick Tayluer through Doerflinger's 1951 book "Shantymen and Shantyboys: Songs of the Sailor and Lumberman." Until now, however, very few singers or researchers have been lucky enough to hear Patrick Tayluer’s voice. This series of blogs aims to remedy that. This post focuses on Tayluer's commentary on sea shanties, including his beliefs about the origin of the genre among West African work crews. Of course, we get to hear some shanties as well!
With gratitude and best wishes, the American Folklife Center notes that on September 30, 2024, after more than 40 years on the air, our longtime friend and colleague Fiona Ritchie ended her successful and influential weekly public radio program “The Thistle & Shamrock,” an institution in the Celtic music world. Fiona Ritchie has had close ties over the years with AFC staff members; she has been a guest in our “Open Mic” series of interviews, and two members of the AFC staff were featured on a 2-part “Thistle and Samrock” episode about the AFC’s history for our 40th anniversary in 2016. In this blog post, we pay tribute to Fiona and provide links to those programs.
"These should rank with the best shanty and sea-song recordings ever made." So said the sea shanty expert William Main Doerflinger in May, 1942, describing the recordings he had recently made of the retired sailor Patrick Tayluer. Circumstances have conspired to keep those recordings under wraps, until this blog series. In this second post, we’ll hear another of his shanties (“Paddy Lay Back” or “Mainsail Haul”) and one of his sea stories. Then, we’ll use available evidence to create a new biography of Patrick Tayluer (1856-1948), a multifaceted sailor, soldier, singer, storyteller, model-builder, long-distance walker, and, of course, shantyman.
