Most people know that Friday the 13th is considered an unlucky day. I had some fun researching the roots of this belief back in September, when the Library of Congress received a call from NPR requesting to interview me about Friday the 13th. Not surprisingly, I found facts and speculation, as well as intriguing new evidence. I also encountered what I often call metafolklore: folk stories about folk beliefs. In this post, we’ll look into what I found. From the Norse gods to the Knights Templar, from mathematics to religion, and from French plays to American horror movies, let's look at everyone's favorite day for bad luck.
In this post, we'll feature a Botkin Lecture classic: Barry Jean Ancelet, Professor Emeritus at the University of Louisiana at Lafayette, speaking on Theory and Practice of Folklore in Cajun & Creole Louisiana. As usual, this blog features videos of both the lecture and an interview with Barry Jean Ancelet. As you'll hear John Fenn say in introducing our speaker, we have presented many eminent colleagues in the Botkin series, but few of them have made as significant an impact on the documentation, public awareness, and revitalization of their chosen areas of interest as Professor Ancelet has for Cajun and Creole culture in Louisiana. Even fewer of them have been officially knighted by the government of France for their efforts. Those are just a few of the reasons we're delighted to present his lecture in our series.
This post features a lecture by Camille Moreddu, a cultural historian from France who is studying what she calls the "French Creole Corridor," French-speaking communities, primarily in the Upper Midwest, which retained fascinating French music and song recorded by collectors in the 20th and 21st centuries. In her lecture. Moreddu reviews the repertoire found in these and related collections--from Great Lakes voyageurs’ songs and French-Canadian fiddle tunes to the ballads, winter ritual songs, and local songs of the Creole settlements of the Upper Mississippi River Valley. She also discusses methods and experiences of the different collectors; the histories of colonial era Francophone settlers as well as later immigrants from France, Belgium, and Canada; and how the French cultural presence was integrated into the narrative and historiography of the American frontier. We also conducted a brief question and answer session with Moreddu, and appended it to the lecture video itself. Moreddu kindly did her lecture twice--once in English and once in French--to make it as accessible as possible to people with an interest in these collections, and we did the Q & A in both languages too!
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying interviews, placing both videos together in an easy-to-find blog post. We're continuing the series with Sean Ardoin, an American Creole musician and singer. He is grandson of Louisiana Creole music patriarch Alphonse "Bois Sec" Ardoin, son of Creole accordionist and bandleader Lawrence Black Ardoin, and older brother of hip-hop zydeco accordionist Chris Ardoin, with whom he co-led the Zydeco supergroup Double Clutchin'. The family traces its musical lineage to Bois Sec's older cousin and musical mentor, Amédé Ardoin, an early recording artist who is one of the most important figures in South Louisiana music. This blog has Sean's concert and interview embedded, plus a bonus concert of his group Creole United, and a link to his video "What Do You See."
We're starting a new season of Homegrown Plus with a concert and oral history from the Riley Family Band featuring Steve Riley. Steve is a widely acclaimed master of the Cajun accordion, and also sings and plays fiddle and guitar with his acclaimed band Steve Riley and the Mamou Playboys. Steve has two very talented sons: Burke, who was 10 when the concert was recorded, and Dolsy, who was 7. In this concert father and sons perform together in their own backyard, billing themselves as The Riley Family Band. In the oral history interview, I asked Steve about his whole musical history. Find both videos right here on the blog!
In this blog, Stephen Winick looks into the mysterious background of two French-language folksongs in AFC's Maine Acadian Cultural Survey collection, "Fox Henry" or "Faux Henry," sung by Ida Burgoin Roy, and "Chambre et chaînes" sung by Connie Morin Desrosier. He identifies other versions of each song and provides audio, transcriptions, translations, and pictures of the singers.
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with Cedric Watson, a four-time Grammy-nominated fiddler, singer, accordionist, and songwriter. Watson is one of the brightest contemporary talents to emerge in Cajun, Creole and …
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with Vishtèn, an award winning Canadian band that performs both traditional and original Acadian music with rock energy. Their original “neo-traditional” compositions are based on …
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with the Yvette Landry Trio, a trio from Louisiana that plays Cajun Music and Louisiana Honky-Tonk. The group is led by Yvette Landry from …
