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Category: Halloween

Close up of a woman in Mexican Catrina makeup

Picante Pero Sabroso: Songs of La Llorona

Posted by: Stephen Winick

This is the third blog post in a series about La Llorona, the weeping woman who haunts Mexican and other Latinx cultures. The series will be published in time for Día de Muertos (aka Día de los Muertos) 2021. In this post we talk about songs associated with the La Llorona legend. I spend the most time with the traditional song from Oaxaca, which was featured recently at the GRAMMY Awards and in the movie Coco. I also discuss a widespread (and completely different) folksong called "La Llorona" in the son huasteco repertoire, and "La Llorona Loca," a song composed in Colombia that has become a mainstay in Mexican music as well. What all La Llorona songs have in common are the themes of death, remembrance, and mourning, which makes them all appropriate for Día de Muertos or Halloween. We hope this post will be useful in building your own personal playlist for these upcoming holidays. 

A man playing a guitar and singing to a close crowd of a dozen or so men and women

La Llorona: Roots, Branches, and the Missing Link from Spain

Posted by: Stephen Winick

This is the second blog post in a series about La Llorona, the weeping woman who haunts Mexican and other Latinx cultures. The series will be published in time for Día de Muertos 2021. In this post, I'll show some of the story's long history, especially in Mexico. I'll give links to primary sources from the 1570s showing the story was already present among Indigenous Mexicans at that time and earlier. I'll also present what I believe is new evidence of a strong link for some La Llorona stories with Spain.

A man playing a guitar and singing to a close crowd of a dozen or so men and women

La Llorona: An Introduction to the Weeping Woman

Posted by: Stephen Winick

In Latin America, in Spanish-speaking communities in the U.S., and especially in Mexico, no ghost story is told as often, discussed as enthusiastically, or interpreted as widely, as the legend of La Llorona. With this introduction, AFC kicks off a short series of blogs on La Llorona stories and songs between now and Día de Muertos

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Masking and Mumming for the Holidays, Thanksgiving Style!

Posted by: Stephen Winick

Happy Thanksgiving! In this post, we’ll take a look at a set of interesting photos from the Library of Congress’s Prints and Photographs Division. They depict a custom most people nowadays don’t know much about: Thanksgiving masking. Thanksgiving maskers, like trick-or-treaters on contemporary Halloween, used to go door to door, begging for handouts. They also …

Portrait of Bessie Jones

Halloween Songs and Stories on the Folklife Today Podcast AND in No Depression!

Posted by: Stephen Winick

Time is getting short before Halloween, so we’re combining two announcements in this one blog post! First of all, as our readers may remember, we’ve been working with No Depression, The Journal of Roots Music, which is published by the nonprofit Freshgrass Foundation. They’re publishing a column called Roots in the Archive, featuring content from the …

Postcard showing a creature made of harvest fruits, a devil, a witch, and a black cat walking in single file holding jack o'lanterns on the end of sticks.

Devil Songs for Halloween

Posted by: Stephen Winick

In his book The Folk Songs of North America, in an introduction to one of the American Folklife Center's finest songs about the Devil, Alan Lomax wrote: Early America saw the Devil as a real and living personage. Rocks in New England were scarred by his hoofprints, as he carried off maidens, screaming and howling, over the hills, or came after the men who had sold their souls to him in return for money or success. […] A mountain woman tells of the last moments of her mean old husband…’I knowed he war goin’, because all the dogs from fur and nigh come around and howled. Hit wur a dark night. But plain as day, comin’ down yon side the mountain, through the bresh so thickety a butcher knife couldn’t cut hit, I seen the Devil a-comin’. He war ridin’ a coal-black cart, drivin’ a coal-black oxen. The cart come down to the door and stopped. When it come, it come empty. But when it went away, hit had a big black ball in it that war Arzy’s soul. […] Lomax's passage serves as a fine and atmospheric introduction to our own Halloween exploration of the Devil in folksongs from the American Folklife Center archive!