Welcome to the latest post in the Homegrown Plus series, featuring Susana Behar, one of the leading voices in Sephardic Song, with a hand-picked ensemble of accompanists. Just like other blogs in the series, this one includes a concert video, a video interview with Susana, and connections to Library of Congress collections. Susana Behar was born in Havana to a Cuban family with roots in the Sephardic community of Turkey. From an early age, she was immersed in the traditional music of her homeland as well as the evocative kantikas in Judeo-Spanish (Ladino) passed down by her grandparents. In 1965 she emigrated to Venezuela, where she started to explore and perform the music of her adoptive country as well as Latin American and Jewish folk music. She earned a degree in biology from the Universidad Central de Venezuela before moving to Miami, where she has lived and performed ever since. In the concert, she performs Sephardic, Cuban, and Venzuelan songs, joined by Michel Gonzalez on guitar, Adolfo Herrera on percussion, and Saul Vera on mandolin and bandola llana. In the interview, she tells us about her life in Cuba, the trauma of her family’s departure, and her life in Venezuela and the United States, with an emphasis on the intersection of her Latin American and Jewish heritage.
Hanukkah this year will be celebrated from December 18 to December 26. Jewish children all over the world will be playing a gambling game with a traditional spinning top known as a dreidel. Many of them will also be told stories about the origin and meaning of the dreidel, stories which claim that the dreidel once had a subversive purpose or that it was created to commemorate a great miracle. These stories are themselves interesting folklore. Since the dreidel is a traditional toy used to play a traditional game, such stories about the dreidel and game can be called metafolklore--that is, folklore about folklore. In this blog, we'll take a look at some of these stories about the origin of the dreidel and examine the toy's real history.
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) This is a special post for Women’s History Month, featuring an artist who exemplifies the importance of traditions passed from grandmothers to their granddaughters. She is a …
Note: this is the fifth, and probably the last, post on Folklife Today concerning Far Away Moses, a nineteenth century Jewish guide and merchant whose face was the model for one of the “keystone heads” sculpted in stone on the outside of the Library of Congress’s Thomas Jefferson building. For the other posts about Moses, …
In my first post about the fascinating character known as Far Away Moses, whose face adorns the outside of the Jefferson Building where the AFC is located, I covered the basics of his life and mentioned some of the ways in which his story became part of the folklore of the late 19th and early …
Note: This is part of a series of posts about Far Away Moses, a fascinating celebrity of the 19th century, who served as the model for one of the keystone heads on the Thomas Jefferson Building. Moses, a Sephardic Jew from Constantinople, knew some of the most prominent Americans of his era, including Theodore Roosevelt …
Note: This is part of a series of posts about Far Away Moses, a fascinating celebrity of the 19th century, who served as the model for one of the keystone heads on the Thomas Jefferson Building. Moses, a Sephardic Jew from Constantinople, knew some of the most prominent Americans of his era, including Theodore Roosevelt …
The following guest post by Ann Hoog is part of a series of blog posts about the 40th Anniversary Year of the American Folklife Center. Visit this link to see them all! The American Folklife Center is pleased to announce a new online presentation of the Chicago Ethnic Arts Project Collection. The photos and audio …
