Rachel Sumner and Traveling Light, a trio from the Boston area playing bluegrass and old time music, are the latest entry in our Homegrown Plus series, in which we include a concert video, an interview video, and a set of links to explore. You'll find it all in this post...along with a bonus song video! Singer, multi-instrumentalist, and Lennon Award-winning songwriter Rachel Sumner is a fixture of the Boston roots and Americana scene. She fronts the trio Traveling Light on vocals, guitar and banjo, with Kat Wallace on fiddle and Mike Siegel on upright bass. Together they specialize in applying their deeply rooted bluegrass know-how to new interpretations of traditional folk songs and tightly crafted original songs written by Sumner. The band has previously participated in our Archive Challenge at Folk Alliance International and contributed a song to our special Labor Day presentation in 2003. In this concert they made a special effort to play some songs that are part of the American Folklife Center archive, making this another entry in the Archive Challenge as well.
We're continuing the Homegrown Plus series with an entertaining and educational concert and interview by Reverend Robert B. Jones, Sr., an inspirational musician and storyteller celebrating the history, humor, and power of American roots music. His deep love for traditional African American and American music is shared in live performances that interweave timeless stories with original and traditional songs. For more than thirty years Robert has entertained and educated audiences of all ages in schools, colleges, libraries, union halls, prisons, churches and civil rights organizations. He brought that inspiration here to the Library of Congress on February 15, 2024, as part of the Homegrown series as well as the series "Live! At the Library," and as part of our celebrations of Black History Month. As an ordained minister and a Baptist pastor, Rev. Jones has an unwavering faith the cultural importance of sacred and traditional American roots music. At the heart of his message is the belief that our cultural diversity is a story that we should celebrate, not just tolerate. This concert included blues, spirituals, gospel, rock, and even a touch of hip hop, delivered with voice, acoustic guitar and harmonica. Watch for the special sequence in which Rev. Jones is joined by his wife Sister Bernice Jones, his daughter Arnecia Jones, his son Robert Jones II (aka R.J.), and his daughter-in-law, R.J.'s wife, Sister Rosa Warner Jones. As usual for this series, you’ll find a concert video, an interview video, and a set of links to explore.
Welcome back to Homegrown Plus! We're continuing the series with a concert and interview featuring Grammy Award winning American Roots artists Cathy Fink & Marcy Marxer together with accomplished Chinese classical hammered dulcimer player Chao Tian. The trio's repertoire includes traditional Chinese and Appalachian music as well as contemporary and traditional music from around the world. They use instruments that include yangqin (Chinese hammered dulcimer), gourd banjo, five-string banjo, ukulele, guitars, dumbek, cello-banjo and mandolin, employing them in unusual combinations to create exciting new arrangements of old music. Cathy and Marcy join Chao in singing Chinese songs, and Chao easily adds her love of American Old-Time music to fiddle tunes and songs. As usual with Homegrown Plus blogs, you'll find the concert video, an interview video, and a wealth of links to related collections and concerts, all right here in this blog post.
In celebration of Labor Day, we wanted to honor the contributions of women to all forms of labor, of both the past and present, and what better way to do that than through song. So we started looking back at our Homegrown Concert videos, of which many are available online, as well as our Archive Challenge series and other documented performances, to create a special concert video. The result is this compilation of performances by Thea Hopkins, the women's ensemble Ialoni, Martha González, Rachel Sumner and Traveling Light, Piper Hayes, and the group Windborne. They all feature the voices of women, with the support of their male colleagues. Watch and read about the Singing in Solidarity video in this post!
This guest post by Joe Z. Johnson, one of the American Folklife Center's 2023 Folklife Interns, announces a new research guide focused on African American banjo players by sharing the motivation behind the guide and highlighting some of the content.
Back in February, we were delighted to host the first Homegrown concert of 2023 here at the Library of Congress. The concert was a solo performance by the banjo player, fiddler, and singer Jake Blount, an award-winning musician and a scholar of African American musical traditions. We presented Jake as part of Live! at the Library, the series featuring extended visiting hours and special programming every Thursday night. It was also part of the Black History Month celebrations at the Library of Congress and was presented in cooperation with the Folklore Society of Greater Washington. Like other blogs in the Homegrown Plus series, this one includes a concert video and a video interview with the featured performer (in this case Jake Blount), plus links and connections to Library of Congress collections.
For many years, the song "Booth" or "Booth Killed Lincoln" has been considered a prime example of a traditional ballad about a historical event. Telling in remarkable detail the story of John Wilkes Booth's assassination of President Lincoln in 1865, the ballad seems ripped from contemporary headlines. Bascom Lamar Lunsford, who sang the song for the Library of Congress in 1949, has been credited as the song's collector, and many sources indicate a date of about 1890 as the latest possible origin for the song, since Lunsford said he heard his father sing "some of the stanzas" to the fiddle tune "Booth." But is there another possible explanation of the song's origins? In this post, we'll look more closely at Lunsford's various recordings of "Booth," as well as unpublished primary-source and secondary-source evidence in the AFC archive, to try to piece together the birth of "Booth."
Welcome back to Homegrown Plus! We're continuing the series with Jody Stecher and Kate Brislin, a duo that has been at the forefront of old-time string music and other folk styles for decades. Like other blogs in the Homegrown Plus series, this one includes a concert video and a video interview with the featured performers, plus links and connections to Library of Congress collections. Kate Brislin is a specialist in singing with others, a peerless blender. She was a founding member of the all female Any Old Time String Band in the 1970s. Tone and rhythm are paramount in the way she plays five-string banjo and guitar. Jody Stecher has been a soloist, a band member, an amateur folklorist, a record producer, an unusually enabling teacher, and an individualistic multi-instrumentalist and singer. In recent years he has been dreaming and composing new songs and tunes that sound old.
The American Folklife Center has recently acquired a five-string Fairbanks Vega banjo donated by musician, photographer, and filmmaker John Cohen before his death in 2019. The John Cohen banjo is extraordinary for three reasons: it is in itself a classic instrument, a beautiful example of a Fairbanks Vega banjo with a Whyte Laydie tone ring and an unusual tone projector; it belonged to John Cohen, one of the most significant figures in the revival of the five-string banjo; and it was often played by Roscoe Holcomb, a singular artist and crucial figure in American traditional music. Read more about the banjo's history, see pictures, and follow links to some video of the banjo being played, all in this blog post!
