Recently, the American Folklife Center published a new collection from the Occupational Folklife Project, which features 16 interviews with religious workers in Kentucky and Indiana. In this post, Senior Folklife Specialist Nancy Groce interviews folklorist Taylor Dooley Burden, who created the collection with support from an Archie Green Fellowship from the American Folklife Center.
In 2023, the American Folklife Center awarded folklorist Selina Morales with an Archie Green Fellowship to interview traditional healers living and working in Puerto Rico. Morales, in collaboration with filmmaker Alexis Garcia, used the fellowship to create a new Occupational Folklife Project collection, titled “Healing Work in Puerto Rico.” In this post, Morales and Garcia discuss their collection with Dr. Nancy Groce (Senior Folklife Specialist, American Folklife Center).
This post is an excerpt of an interview with Lola Quan Bautista, Associate Professor of Pacific Islands Studies, University of Hawaiʻi at Mānoa, about her and her team's 2023 American Folklife Center Community Collections Grant project, Celebrating CHamoru Nobenas.
The Green Man, a character from traditional folk culture, has captured the imaginations of many in the modern world. Books, articles, and websites on the Green Man abound, each of them looking at the figure from its own perspective. Those who have commented on or employed the image of the Green Man range from historians to neopagan worshippers, from festival organizers to novelists, and from folklorists to participants in Renaissance fairs. Recently, though, some scholars have been asserting that the Green Man is not really a figure from older folk culture at all, but a modern invention. This post will begin an examination of this question: what is the Green Man, and what are his traditional meanings?
The following is a guest blog post by Yvonne Brown, a processing technician for the Library of Congress Veterans History Project (VHP). It is the sixth in a series from VHP staff. Click on the following names to read previous articles in this series: Tamika Brown– Processing Technician Andrew Huber– Liaison Specialist Tracey Dodson– Administrative …
Georgian polyphonic singing has a rich and ancient past. It predates Christianity and its pre-Christian roots are alive today in secular songs such as lullabies, harvest, hunting, and wedding songs. The Christian songs survived a dark time while Georgia was part of the Soviet Union, as the tradition was banned from 1921 to 1990. Monks …
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with a concert and oral history with the Cambodian-American Heritage Dancers with Chum Ngek Ensemble. Update: in September, 2020, Chum Ngek did …
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with the Sattriya Dance Company with the Dancing Monks of Assam Traditional Dance from Assam, India. This is one of two related …
In the summer of 1894 James Mooney, a scholar of American Indian culture and language, made recordings of songs of the Ghost Dance in several languages. The James Money Recordings of American Indian Ghost Dance Songs have recently been updated and are part of the presentation, Emile Berliner and the Birth of the Recording Industry. …
