The American Folklife Center's 2021 Mummers play is about a zoom meeting that gets invaded by a hacker who won't let the participants leave until he gets a bitcoin ransom. 2021 has felt like a zoom meeting that wouldn't end, so we hope our audience can relate! Find a video of the play and the complete annotated script in this blog!
This is the fourth blog post in a series about La Llorona, the Weeping Woman, a spirit that haunts the folklore of Mexico and other Latin American countries. We'll present comments on the legend by the writer Rudolfo Anaya, the scholar Domino Renee Perez, our former intern and Llorona expert Camille Acosta, pioneering Costa Rican writer Manuel Argüello Mora, and Esperanza Sernas, a restaurant worker interviewed in 1977 by fieldworker Philip George for AFC's Chicago Ethnic Arts Project. This blog also contains one of the most gruesome traditional descriptions of La Llorona we've seen so far! The whole series will be published in time for Día de Muertos (aka Día de los Muertos) 2021, so stay tuned....
This is the third blog post in a series about La Llorona, the weeping woman who haunts Mexican and other Latinx cultures. The series will be published in time for Día de Muertos (aka Día de los Muertos) 2021. In this post we talk about songs associated with the La Llorona legend. I spend the most time with the traditional song from Oaxaca, which was featured recently at the GRAMMY Awards and in the movie Coco. I also discuss a widespread (and completely different) folksong called "La Llorona" in the son huasteco repertoire, and "La Llorona Loca," a song composed in Colombia that has become a mainstay in Mexican music as well. What all La Llorona songs have in common are the themes of death, remembrance, and mourning, which makes them all appropriate for Día de Muertos or Halloween. We hope this post will be useful in building your own personal playlist for these upcoming holidays.
In Latin America, in Spanish-speaking communities in the U.S., and especially in Mexico, no ghost story is told as often, discussed as enthusiastically, or interpreted as widely, as the legend of La Llorona. With this introduction, AFC kicks off a short series of blogs on La Llorona stories and songs between now and Día de Muertos
Just in time for the start of a new school year, the American Folklife Center has posted to its website a wonderful new collection of Occupational Folklife Project interviews documenting Teaching in Wisconsin Classrooms. This important resource features in-depth interviews with 32 dedicated, resourceful and creative elementary teachers throughout the state of Wisconsin. Given the essential role played by American teachers, it is perhaps surprising that the AFC archive previously contained so few first-person narratives by classroom teachers documenting their work lives. This collection begins to address that gap.
Summer is over, and autumn is here. That means the Homegrown 2021 concert series is also drawing to a close. We put a selection of songs from the series on the Folklife Today podcast, with commentary from me, John Fenn, series producer Thea Austen, and AFC interns Kennedi Johnson and Camille Acosta. That way, if you haven't had a chance to watch the videos, you can download and listen wherever you like to hear your podcasts. As usual, there are links to the podcast itself, plus links to relevant blog posts, videos, and audio selections in this post.
This post gives background to our latest episode of the Folklife Today podcast. This episode continues our look at songs about summer, from the amorous adventures of young lovers to the backbreaking work done by convicts in the sun. Hosts John Fenn and Stephen Winick, along with guest Jennifer Cutting, present their favorite summer songs. Songs include the English “Sweet Primroses;” the Trinidadian “One Fine Summer’s Morning” and “June Come, You No Marry;” the Tuvan “In Summer Pastures;” the African American work song “Worked All Summer Long;” and the Basque “When the Sun Shines Everywhere, How Good the Shade is!”
The following is a guest blog post by liaison specialist Owen Rogers and is meant to supplement the Veterans History Project’s (VHP) Conducting Virtual Oral History Interviews in Light of the Covid-19 Pandemic. Check back next week to learn more about interviewing veterans in person during the COVID-19 pandemic. When I first began recording veterans’ …
We're excited for this week’s Homegrown concert from Hubby Jenkins, who will be playing old-time songs and spirituals that are the root of American folk, country, blues, and gospel. The concert premieres at noon on August 11 on our Facebook page. After that, the concert will be available permanently at his concert page, where you can also read more about Hubby. For now, I’ll just say that he's an old-time and blues musician living in New York. He's a singer and multi-instrumentalist who plays guitars, banjos, mandolins, and bones. He has been a member of the Rhiannon Giddens Band, and before that the Grammy-winning Carolina Chocolate Drops. As a member of the Carolina Chocolate Drops, he played at the Library of Congress back in 2012. In this post, I’ll try to whet your appetites by talking about a few of the songs Hubby plays in the concert, and presenting related field recordings from our collections.