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A man playing a guitar and singing to a close crowd of a dozen or so men and women

Caught My Ear: “Sentenced to Death” by Andrew Gallagher

Posted by: Stephen Winick

The following was written by Hannah Rose Baker, a musician from Boston, MA, who recently completed an internship at the Smithsonian’s National Museum of American History. In 1938, in Beaver Island, Michigan, Andrew Gallagher, known locally as “Andy Mary Ellen,” sang a song called “Sentenced to Death” for Alan Lomax, who was collecting folk music …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Singing the Archive in the Schoolroom: A Collaboration between the Library of Congress and the Global Scholars Academy

Posted by: John Fenn

This guest post is by Sarah Elizabeth Tomlinson, a Ph.D. candidate in Musicology at the University of North Carolina at Chapel Hill. At their school’s annual Christmas performance, forty kindergarten and first-grade students in Durham, North Carolina bounced and sang along with the Library of Congress. Specifically, they performed for an audience of family and …

King Biscuit Time memorabilia on the walls of the Delta Cultural Center.

Folklife On the Air: A Tribute to Two “Radio Guys”

Posted by: Stephen Winick

Here at the American Folklife Center, we’ve always had an appreciation for radio. As the home of an archive with a lot of fantastic audio recordings, the “folk archive” has been ripe for use on the radio since its earliest days. John and Alan Lomax, heads of the archive back in the 1930s and 1940s, …

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Folklife at the International Level: the Roots of Intangible Cultural Heritage Part II, with Valdimar Tr. Hafstein

Posted by: Michelle Stefano

In the last post, the Folklife at the International Level series took a turn into the world of “intangible cultural heritage” (ICH), a category of heritage on the global stage that developed decades ago, thanks to the joint efforts of WIPO and the United Nations Educational, Scientific and Cultural Organization (UNESCO). As noted, since the …

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Alistair Cooke: Radio and TV Icon, Hidden Folklorist

Posted by: Stephen Winick

This article about the broadcaster, journalist, and writer Alistair Cooke is part of a series called "Hidden Folklorists," which examines the folklore work of surprising people, including people better known for other pursuits. It mainly details his work on the 12-part 1938 BBC radio series "I Hear America Singing," which was the first time Library of Congress field recordings were used on the radio. It also discusses Cooke's involvement in the Library's recordings of Jelly Roll Morton, and presents the first recordings of his voice, made for the purposes of a dialect study in 1934.

A man playing a guitar and singing to a close crowd of a dozen or so men and women

Collections documenting cultures in Brazil, the Sudan region, New Mexico and California are now richly described online

Posted by: Nicole Saylor

A handful of recently published online finding aids describing American Folklife Center collections provide detailed windows into collections documenting a range of traditions, from New Mexican Midwinter Masquerades to traditional music from the Sudan region. The following round-up draws heavily on descriptions created by the archivists who processed these amazing collections. Roxane Connick Carlisle Collection, …

A man playing a guitar and singing to a close crowd of a dozen or so men and women

“The Mermaid”: the Fascinating Tail Behind an Ancient Ballad

Posted by: Stephen Winick

Mermaids are among folklore’s most beloved magical creatures, especially among children. Usually depicted as beautiful women with long, fishy tails, they’ve captured the imagination of many kids, and a few adults too. Most youngsters, and most parents, are aware of the sympathetic character from the Hans Christian Anderson fairy tale The Little Mermaid, and its …