Welcome back to Homegrown Plus! We're continuing the series with a concert and interview featuring Grammy Award winning American Roots artists Cathy Fink & Marcy Marxer together with accomplished Chinese classical hammered dulcimer player Chao Tian. The trio's repertoire includes traditional Chinese and Appalachian music as well as contemporary and traditional music from around the world. They use instruments that include yangqin (Chinese hammered dulcimer), gourd banjo, five-string banjo, ukulele, guitars, dumbek, cello-banjo and mandolin, employing them in unusual combinations to create exciting new arrangements of old music. Cathy and Marcy join Chao in singing Chinese songs, and Chao easily adds her love of American Old-Time music to fiddle tunes and songs. As usual with Homegrown Plus blogs, you'll find the concert video, an interview video, and a wealth of links to related collections and concerts, all right here in this blog post.
In celebration of Labor Day, we wanted to honor the contributions of women to all forms of labor, of both the past and present, and what better way to do that than through song. So we started looking back at our Homegrown Concert videos, of which many are available online, as well as our Archive Challenge series and other documented performances, to create a special concert video. The result is this compilation of performances by Thea Hopkins, the women's ensemble Ialoni, Martha González, Rachel Sumner and Traveling Light, Piper Hayes, and the group Windborne. They all feature the voices of women, with the support of their male colleagues. Watch and read about the Singing in Solidarity video in this post!
This guest post by Joe Z. Johnson, one of the American Folklife Center's 2023 Folklife Interns, announces a new research guide focused on African American banjo players by sharing the motivation behind the guide and highlighting some of the content.
For many years, the song "Booth" or "Booth Killed Lincoln" has been considered a prime example of a traditional ballad about a historical event. Telling in remarkable detail the story of John Wilkes Booth's assassination of President Lincoln in 1865, the ballad seems ripped from contemporary headlines. Bascom Lamar Lunsford, who sang the song for the Library of Congress in 1949, has been credited as the song's collector, and many sources indicate a date of about 1890 as the latest possible origin for the song, since Lunsford said he heard his father sing "some of the stanzas" to the fiddle tune "Booth." But is there another possible explanation of the song's origins? In this post, we'll look more closely at Lunsford's various recordings of "Booth," as well as unpublished primary-source and secondary-source evidence in the AFC archive, to try to piece together the birth of "Booth."
The American Folklife Center has recently acquired a five-string Fairbanks Vega banjo donated by musician, photographer, and filmmaker John Cohen before his death in 2019. The John Cohen banjo is extraordinary for three reasons: it is in itself a classic instrument, a beautiful example of a Fairbanks Vega banjo with a Whyte Laydie tone ring and an unusual tone projector; it belonged to John Cohen, one of the most significant figures in the revival of the five-string banjo; and it was often played by Roscoe Holcomb, a singular artist and crucial figure in American traditional music. Read more about the banjo's history, see pictures, and follow links to some video of the banjo being played, all in this blog post!
The American Folklife Center is delighted to announce the acquisition of the Missouri Friends of the Folk Arts collection from Julia Olin and Barry Bergey. The collection includes concert recordings of iconic blues and old time musicians like Henry Townsend and Robert Jr. Lockwood; festival performances from the Frontier Folk Festival; fiddling traditions from Ozark and Midwestern regions; and traditional arts documentation from around the state of Missouri. Communities documented include the French speaking towns around Old Mines, Native American communities, and several Spanish speaking communities. Bergey and Olin wrote this blog post to introduce the collection to researchers at the American Folklife Center.
The following is a guest post by American Folklife Center Reference Librarians Melanie Zeck and Todd Harvey. Staff at the American Folklife Center continue to use new digital tools to support remote discovery and access for our resources by users of all kinds. Whether you are a community scholar, a teacher, an academic researcher, a …
The following is a guest post by American Folklife Center head of reference, Judith Gray. Staff at the American Folklife Center continue to use new digital tools to support remote discovery and access for our resources by users of all kinds. Whether you are a community scholar, a teacher, an academic researcher, a creative artist, …
We’re very excited for this week’s Homegrown double-header of concerts from the duo of Jody Stecher and Kate Brislin, followed by Martin Carthy. You can read about the musicians over at the concert pages (Jody Stecher and Kate Brislin’s is at this link, and Martin Carthy’s at this link). For now, I’ll just say that …
