We’re continuing the Homegrown Plus Premiere series with Chao Tian, a master of the yangqin, or Chinese hammered dulcimer, as well as a sound designer and visual artist. For her concert, Chao Tian is joined by Tom Teasley, a multidimensional percussionist, performer, and composer. As is usual for the series, this blog post includes an embedded concert video, an interview video, and a set of related links to explore!
The following is a guest blog post co-authored by U.S. Air Force veteran, AnnMarie Halterman, who is the Co-Founder and Executive Director of Uniting US, and U.S. Marine Corps veteran Ehren Tool. This is the first in a four-part guest series featuring military veteran artists who are members of Uniting US, a veteran-focused nonprofit arts […]
We’re excited to continue the Homegrown Plus Premiere series with Pamyua, a trio performing traditional Inuit (Yup’ik) drumsongs from Alaska with a distinct and unique American sound. As is usual for the series, this blog post includes an embedded concert video, an interview video, and a set of related links to explore! Together for more than 15 years, Pamyua (pronounced Bum yo-ah) has entertained millions with their fusion of traditional Inuit music and Yup’ik dance performance. Founding members Phillip Blanchett, Stephen Blanchett and Ossie Kairaiuak are from the Yukon/ Kuskokwim River Delta region in southwestern Alaska. Pamyua found national recognition in 2003, winning Record of the Year at the Native American Music Awards, and is now considered a cultural treasure across the circumpolar north. Native People magazine praised their “blizzard of interlocking harmonies” and Alaska magazine rated them “one of the 10 greatest Alaska artists of the millennium.” The group has performed at distinguished events worldwide, including the 25th Anniversary of Greenlandic home rule, which was attended by Queen Margrethe II of Denmark, and the grand opening of the Smithsonian Institution’s National Museum of the American Indian.
“From Conflict to Creativity: Veteran Artists Showcase” ~ June 28-30, 2022 Join the Veterans History Project (VHP) as we recognize Post-Traumatic Stress (PTS) Awareness Month with a three-day Veteran Artists Showcase focused on living with, managing and raising awareness of PTS and Military Sexual Trauma. Hosted in collaboration with Uniting US, this series of creative […]
We’re continuing the Homegrown Plus Premiere series with Julian Kytasty, a third generation player of the bandura, a Ukrainian stringed instrument with similarities to the lute and the zither. Julian also sings beautifully and composes for the bandura and other instruments. In this blog you’ll find an embedded concert video, an interview video, and a set of related links to explore!
“ETL” is a wonderful acronym, a non-word, a nickname for a phrase by which insiders describe a complex process. ETL in the context of digital collections at the Library of Congress is short for “extract, transform, and load.” To a curator working with crowdsourced archival material. “ETL” in an email subject line signals the final step in a process by which an archival collection becomes full-text searchable, the gold standard for access to manuscript materials. In this post we look at the ways in which crowdsourced transcriptions add depth to our understanding of our rich fieldwork collections. We look at a variety of materials, including Alan Lomax’s trips to collect traditional songs and music in Florida and Haiti. We show how Zora Neale Hurston’s fieldwork informed her brilliant novel “Their Eyes Were Watching God,” providing excerpts from fieldnotes that comport with descriptions in the novel.
In this post we examine some of the earliest evidence of the Cornish May Song, also known as “Hal An Tow.” A version of this song was recorded from Lillian Short in Missouri by Vance Randolph in 1941. By that time, the melody to the song had changed in oral tradition, but this early evidence, a written transcription by Edward Jones from 1802, shows that the song was formerly sung to the same melody retained by Lillian Short. The post includes Jones’s 1802 passage describing the May 8 observances in Helston, Cornwall, which include the “Hal An Tow” song, the “Furry Dance” or “Flora Dance,” and other events; the sheet music as he published it; and a discussion of Jones’s interpretations of the Helston song in relation to AFC’s field recording.
We’re continuing the Homegrown Plus Premiere series with international recording artist Herb Ohta, Jr., who is one of today’s most prolific ʻukulele masters. In this blog you’ll find an embedded concert video, an interview video, and a set of related links to explore! We’re very excited to present Herb Ohta, Jr. in the series. Influenced by jazz, R&B, Latin and Brazilian music, as well as traditional Hawaiian sounds, he puts his stamp on Hawaiian music by pushing the limits of tone and technique on this beautiful instrument. The son of ʻukulele legend “Ohta-san,” he started playing at the age of three, and began teaching at the age of nine. Based in Honolulu, he shares the music of Hawaiʻi and the beauty of the ʻukulele with people around the world, performing concerts and conducting instructional workshops. As a special treat, Herb asked his good friend Jake Shimabukuro to join him for a medley of traditional Hawaiian songs. Shimabukuro, also a Honolulu native, is one of the most highly acclaimed ʻukulele players in the world, and has collaborated with many great musicians, including Willie Nelson, Bette Midler, Jimmy Buffett, Kenny Loggins, and Amy Mills. He’s never forgotten his roots in Hawaiian music, though, and was kind enough to join Herb in his Homegrown concert.
We’re continuing the Homegrown Plus series with Vrï, a trio from Wales in the U.K., whose members describe their music as ‘chamber-folk.’ The idea of the series is to gather concert videos, video interviews with the musicians, and connections to Library of Congress collections together in one place for our subscribers…so here we go!
Bringing together the experience of Jordan Price Williams (cello, voice) Patrick Rimes (violin, viola, foot percussion, voice) and Aneirin Jones (violin, voice) Vrï plays tunes and songs from the Celtic nations and beyond, attempting to combine the energy of a rowdy pub session with the style and finesse of the Viennese string quartet. They combine high-energy dance music and stately traditional melodies with delicate arrangements, and sing in both Welsh and English.
We’re beginning the 2022 Homegrown Plus Premiere series with Kongero, a Swedish vocal group which consists of four women who sing folksongs: Lotta Andersson, Emma Björling, Sofia Hultqvist Kott, and Anna Wikénius. The women of Kongero like to say their music tells tales of life, with moving love songs, dramatic medieval ballads, witty ditties, and spirited dances, all sung in their native Swedish tongue. Traditionally, Swedish songs are usually sung solo. Kongero adds harmonies and arrangements created by the band members. Kongero’s polyphonic music is characterized by tight harmonies, stirring rhythms, and the clarity of their beautiful voices, which bring traditional Swedish folksongs into modern times. Since 2005, Kongero has performed their polyphonic a cappella folk music (which they have dubbed Folk’appella) all over Europe, Asia, and the Americas, singing in concerts and leading workshops in traditional Swedish vocal music and vocal harmonies. In this blog you’ll find videos of the concert and an interview with the singers.