John Jackson (1924-2002) was a fantastic singer and guitarist; he was one of the most significant Black Appalachian musicians to begin his professional career in the 1960s. Less well known than his musical prowess was John Jackson's talent as a storyteller. Although he occasionally worked tales into his concert performances, he particularly loved stories about the supernatural, which he mostly told privately. Luckily, some of these ghost stories were recorded and the tapes are in the AFC archive. In this blog, you'll hear (and read) his version of a story about two preachers who attempt to spend the night in a haunted house. He called it "The Preachers and the Spooks."
The following is a guest blog post co-authored by U.S. Navy veteran Matthew Gill and U.S. Army/Army National Guard veteran Teresa K. Howes. This is the second in a four-part guest series featuring military veteran artists who are members of Uniting US, a veteran-focused nonprofit arts organization. Go here to read part 1. In recognition …
The following is a guest post by American Folklife Center Reference Librarians Melanie Zeck and Todd Harvey. Staff at the American Folklife Center continue to use new digital tools to support remote discovery and access for our resources by users of all kinds. Whether you are a community scholar, a teacher, an academic researcher, a …
Summer solstice was traditionally a time of revelry as the end of planting and the beginning of summer were celebrated. As the summer crops ripen, the fruit of the labor of planting is celebrated in various ways, especially the harvest of staple crops. The grain and hay harvests in late July and early August is …
We're excited for this week’s Homegrown concert from Hubby Jenkins, who will be playing old-time songs and spirituals that are the root of American folk, country, blues, and gospel. The concert premieres at noon on August 11 on our Facebook page. After that, the concert will be available permanently at his concert page, where you can also read more about Hubby. For now, I’ll just say that he's an old-time and blues musician living in New York. He's a singer and multi-instrumentalist who plays guitars, banjos, mandolins, and bones. He has been a member of the Rhiannon Giddens Band, and before that the Grammy-winning Carolina Chocolate Drops. As a member of the Carolina Chocolate Drops, he played at the Library of Congress back in 2012. In this post, I’ll try to whet your appetites by talking about a few of the songs Hubby plays in the concert, and presenting related field recordings from our collections.
There are a great many ways of expressing love of one’s country and some interesting examples of expressions of love of the United States, and the peoples that became part of the United States, can be found in American Folklife Center Collections. In addition to some familiar songs, this blog will introduce several songs that …
In his book The Folk Songs of North America, in an introduction to one of the American Folklife Center's finest songs about the Devil, Alan Lomax wrote:
Early America saw the Devil as a real and living personage. Rocks in New England were scarred by his hoofprints, as he carried off maidens, screaming and howling, over the hills, or came after the men who had sold their souls to him in return for money or success. […] A mountain woman tells of the last moments of her mean old husband…’I knowed he war goin’, because all the dogs from fur and nigh come around and howled. Hit wur a dark night. But plain as day, comin’ down yon side the mountain, through the bresh so thickety a butcher knife couldn’t cut hit, I seen the Devil a-comin’. He war ridin’ a coal-black cart, drivin’ a coal-black oxen. The cart come down to the door and stopped. When it come, it come empty. But when it went away, hit had a big black ball in it that war Arzy’s soul. […] Lomax's passage serves as a fine and atmospheric introduction to our own Halloween exploration of the Devil in folksongs from the American Folklife Center archive!
This is a guest post by archivist Maya Lerman, who completed processing on the John Cohen collection. Maya has written for the blog about her work on this collection previously, and another of our staff, Todd Harvey, offered a recollection of Cohen’s rich body of documentation upon his passing last year. Musician, visual artist, writer, …
In the Homegrown Plus series, we present Homegrown concerts that also had accompanying oral history interviews, placing both together in an easy-to-find blog post. (Find the whole series here!) We’re continuing the series with Cora Harvey Armstrong, a gospel singer, piano player, songwriter, choir director, and bandleader born and raised in King and Queen County, Virginia. The Richmond-born …
