This post features a lecture by Camille Moreddu, a cultural historian from France who is studying what she calls the “French Creole Corridor,” French-speaking communities, primarily in the Upper Midwest, which retained fascinating French music and song recorded by collectors in the 20th and 21st centuries. In her lecture. Moreddu reviews the repertoire found in these and related collections–from Great Lakes voyageurs’ songs and French-Canadian fiddle tunes to the ballads, winter ritual songs, and local songs of the Creole settlements of the Upper Mississippi River Valley. She also discusses methods and experiences of the different collectors; the histories of colonial era Francophone settlers as well as later immigrants from France, Belgium, and Canada; and how the French cultural presence was integrated into the narrative and historiography of the American frontier. We also conducted a brief question and answer session with Moreddu, and appended it to the lecture video itself. Moreddu kindly did her lecture twice–once in English and once in French–to make it as accessible as possible to people with an interest in these collections, and we did the Q & A in both languages too!