This interview by AFC staff member, Guha Shankar, with Sarah Bryan, Executive Director of the cutural arts organization, the Association for Cultural Equity (ACE), highlights ACE's work in producing a range of programs and publications that raise public awareness of the richness and diversity of global expressive culture. ACE works in collaboration with the Library in several areas. particularly initiatives that center on the merican Folklife Center's seminal Alan Lomax collecton of world music, song and dance recordings.
In this guest blog, Dr. John Edgar Tidwell, Emeritus Professor of English at the University of Kansas, focuses on the critical importance of Sterling A. Brown's work as Editor on Negro Affairs for the Depression-era Federal Writers' Project, and his efforts in the struggle against racial inequality by "authentic[ating] representations of Blacks in the American Guide Series travel guides." The response to his work by authorities speaks volumes about the repressive political climate that sought to suppress any research and analysis of societal conflict and injustice such as Brown's. Dr. Tidwell presented a version of these remarks at an AFC symposium in June 2023 to mark the publication of the anthology, Rewriting America: New Essays on the Federal Writers’ Project (2022), which critically examines the FWP on its 80th anniversary. It is most appropriate to publish this blog today, since it was 45 years ago today, on November 16, 1978, that the Library of Congress celebrated the 50th anniversary of the Archive of Folk Song with a day-long symposium featuring, among others, Alan Lomax, song-collector and archivist for the Archive in its early years; David "Honeyboy" Edwards, master blues singer and later a Grammy recipient; and Sterling A. Brown, author, poet, and guiding figure in the FWP.
Learn about the fascinating character "Daca," a bookseller in New York who taught Alan Lomax the cowboy classic "Ten Thousand Goddam Cattle." Daca contributed ten songs and a sheaf of tall tales to the Library of Congress. He was a cowboy in the 1910s and a bookshop owner in Bohemian Greenwich Village in the 1920s and 30s, while he moonlighted by singing cowboy songs on the radio. He had a master's degree in Spanish and was an expert on European fables. He also went by at least three names (Harry Payne Reeves, David Daca, and Harry Reece). Daca was a fascinating forerunner both of Woody Guthrie, another cowboy singer who arrived in New York just as Daca left, and of Bob Dylan, a trickster who concealed his identity with aliases and gave evasive answers to interviewers. In this way, he laid the groundwork and established some of the norms for the folk scene in Greenwich Village. Read his story, hear his songs, and find out about a little known "hidden folklorist"--all in this blog post!
It's hard to believe, but this is the 1000th published post here at Folklife Today! To celebrate, we'll talk about one of the songs on the Archive's 1000th disc. It reveals a lot about the history of the archive, the methods of Alan Lomax, and the development of a well known cowboy song. It also introduces us to "Daca," a little-known folksinger active from the 1920s through the 1940s, whom we'll profile in a later post. This track is known as AFS 1000 B2, and is Alan Lomax, then Assistant-in-Charge of the archive, singing "Ten Thousand Goddam Cattle." In the blog you can hear the song, read about where Lomax learned it, find out about its roots in "The Virginian" by novelist Owen Wister, and examine the influence of Lomax's version on the song as it was later sung by cowboys.
Our latest podcast looks at three “Hidden Folklorists” from Louisiana with special guest Joshua Clegg Caffery from the Center for Louisiana Studies at the University of Louisiana Lafayette. The Hidden Folklorists are Becky Elzy and Aberta Bradford, two spiritual singers who had been born in slavery, but who years later sang over a hundred spirituals for collectors; and E.A. McIlhenny, the head of the Tabasco Sauce company, who first collected their spirituals into a book. We recount details of how a microfilm of unique, unpublished manuscript spirituals by Bradford and Elzy came to be part of the American Folklife Center archive, and how Bradford and Elzy came to be recorded on audio discs for the Library of Congress by Alan Lomax in 1934, with the resulting recordings also coming to the AFC Archive. It’s an amusing story in which the 19-year-old Alan Lomax is forced to leave his father, the seasoned collector John A. Lomax “by the side of the road” and drive 40 miles with the 73 year old Bradford to try to find the 82 year old Elzy so they can sing together for the Library’s recording machine. The episode also presents several of their spirituals, and ends with the very moving recording of two women who had been born in slavery singing “Free at last, free at last, thank God almighty, got free at last!”
Over at No Depression, read my musings about the 2021 inauguration, including Jennifer Lopez's rendition of "This Land is Your Land" and the song's journey from its author Woody Guthrie to its performances at the Obama and Biden inaugurations. You'll read about the song's appearance at the 2009 inauguration, where it was led by Bruce Springsteen, Pete Seeger, and Tao Rodriguez-Seeger. We'll also revisit a classic rendition of "This Land" by Senator Bernie Sanders. Embedded throughout the piece you'll find some video treasures from the AFC archive: three versions of "This Land is Your Land" sung entirely or partially in Spanish. We'll also take a side trip into the January 2021 sea shanty craze on social media, and hear Springsteen's version of the classic shanty "Pay Me My Money Down," as well as the Alan Lomax field recording of the Georgia Sea Island Singers.
In his book The Folk Songs of North America, in an introduction to one of the American Folklife Center's finest songs about the Devil, Alan Lomax wrote:
Early America saw the Devil as a real and living personage. Rocks in New England were scarred by his hoofprints, as he carried off maidens, screaming and howling, over the hills, or came after the men who had sold their souls to him in return for money or success. […] A mountain woman tells of the last moments of her mean old husband…’I knowed he war goin’, because all the dogs from fur and nigh come around and howled. Hit wur a dark night. But plain as day, comin’ down yon side the mountain, through the bresh so thickety a butcher knife couldn’t cut hit, I seen the Devil a-comin’. He war ridin’ a coal-black cart, drivin’ a coal-black oxen. The cart come down to the door and stopped. When it come, it come empty. But when it went away, hit had a big black ball in it that war Arzy’s soul. […] Lomax's passage serves as a fine and atmospheric introduction to our own Halloween exploration of the Devil in folksongs from the American Folklife Center archive!
As our readers may remember, we've been working with No Depression, The Journal of Roots Music, which is published by the nonprofit Freshgrass Foundation. They're publishing a column called Roots in the Archive, featuring content from the American Folklife Center and Folklife Today. The latest Roots in the Archive column is about the Arlo Guthrie birth announcement, a fantastic manuscript item from the Alan Lomax Collection. The Arlo Guthrie birth announcement is a handwritten, illustrated letter created by Woody Guthrie to announce the birth of his son Arlo. It was sent by Woody to his friend Alan Lomax in 1947. Typed and embellished with finger-painted lettering, the announcement is in the form of a handmade greeting card, a single sheet folded in half to form a front and back cover and a center spread. The front consists of stylized line art representing a mother and baby, a greeting to the Lomax family, and the name "Arlo Guthrie," painted in several different styles and colors. The back consists of the words "Here I Am" in large painted letters. Both sides bear the date, and the name "Arlo Guthrie" written in Woody’s handwriting. Read more about it at the link!
The column also features the whimsical text of the birth announcement, which is written in the voice of baby Arlo, and my own thoughts on this one-of-a-kind manuscript. Of course, the American Folklife Center also has many more resources related to Woody Guthrie, and you can find out more about those in the column too.
In this post we look at the life and legacy of Joe Hickerson, longtime employee and head of the Archive of Folk Culture, who passed away on August 17, 2025. Joe was well known as a folklorist, archivist, ethnomusicologist, and folksinger. He was an important public face for folklore and folk music, and his passing will be seen as the end of an era among folk music enthusiasts, as well as for those of us at the American Folklife Center.
