Top of page

American Fads and Crazes: 1920s

Share this post:

With unprecedented prosperity, technology, and leisure like no decade before it, 1920s America roared, soared, and was never bored, igniting endless fads and crazes of excess and frivolity–until it all came crashing down (Hendricks, 2018). 

The decade before survived the cataclysm of World War I and a deadly global influenza epidemic. This brought about a cynical post-war mindset: “Eat, drink, and be merry, for tomorrow you may die.” At the same time, long-simmering efforts like the temperance movement rose to the surface that led to high-minded laws that brought about unforeseen consequences and made law breakers out of the everyday citizen. When the decade ended in 1929 with the crash of the stock market, Americans were left wondering what had happened. 

Collage of images from various newspapers. Top from right to left (4 images total): 1) top half of a front page with the headline 'Women Win Vote'; 2) a photograph of a woman in a flapper dress; 3) portrait of a man and woman embracing with the headline 'In These Roaring 'Twenties'; 4) photograph of five females following the dance moves of a male teacher. Bottom from left to right (4 images total): 1) a portrait of Clara Bow; 2) a collage of images of women aviators; 3) a portrait of Babe Ruth in uniform; 4) a half newspaper page with images of people playing and enjoying jazz with the headline 'Jazz Stunts Are Staggering Our American Nerves.'
Collage images from various newspapers in Chronicling America. Top from right to left: “Women Win Vote,” The Bismarck Tribune (Bismarck, ND), August 18, 1920; Flapper fashion. The New York Herald (New York, NY), March 19, 1922; “In These Roaring ‘Twenties,” New Britain Herald (New Britain, CT), February 27, 1924; Group of dancers. New Britain Herald (New Britain, CT), March 5, 1927. Bottom from right to left: Portrait of Clara Bow. New Britain Herald (New Britain, CT), June 9, 1926; Women in aviation. Evening Star (Washington, DC), October 14, 1928; Babe Ruth. New York Tribune (New York, NY), September 16, 1918; “Jazz Stunts are Shattering our American Nerves,” The Morning Tulsa Daily World (Tulsa, OK), December 3, 1922.


The post-WWI era of the 1920s was a time of prosperity and new opportunities. The economy was booming and the middle class was enjoying a higher standard of living. American women earned the right to vote, which gave many young women a new sense of empowerment. The Volstead Act, which prohibited alcohol, led to illegal saloons called speakeasies that gave people the opportunity to indulge in jazz and liquor. The decade earned two monikers: “The Jazz Age” (credited to F. Scott Fitzgerald for coining the phrase in the title of his 1922 collection of short stories, Tales of the Jazz Age) and the “Roaring Twenties.”

Photograph featuring a female standing outside a side door of a building looking towards the camera. She is talking to two males and one female next to an automobile.
A woman eyes the photographer warily while standing at the door of a speakeasy, the “Krazy Kat,” in Washington, DC. (1921). Prints and Photographs Division.


Jazz and Liquor

When Prohibition took effect on January 17, 1920, thousands of legal saloons across the nation closed only to have hundreds of thousands of unregulated drinking establishments called speakeasies pop up. Although Prohibition was meant to ban alcohol and reduce crime, the illegal speakeasy became an American craze, creating a nation of law breakers and emboldening criminals to exploit the new racket. Unlike the previous legal saloons, speakeasies were not subject to pre-Prohibition controls and they welcomed women in as patrons. The massive profits generated by these illicit saloons went to gangsters and crime rates rose. As competition between speakeasies grew, so did the demand for live entertainment. Jazz music and the dances it inspired were the perfect fit for the era’s party mood.

A photograph from a newspaper featuring a jazz band playing their instruments in a pool while three couples, each person dressed in a bathing suit, dance in pairs close together.
A wild jazz scene. The Morning Tulsa Daily World (Tulsa, OK), December 3, 1922.

Jazz music, with its roots in ragtime and blues, had emerged in the late 19th and early 20th centuries. It spread into the mainstream by rebellious youth across lines of race and age to be the fad of the 1920s. Dance crazes like the Charleston, Black Bottom, and the Shimmy dominated dance floors while Victorian moralists condemned them as too suggestive. Along with this new music came new fads in fashion and the birth of the Flapper–a new independent and sexually liberated woman who wore lipstick and slinky dresses, smoked and drank, worshipped jazz, and bobbed her hair

A male and female couple dance together with their hands clasped, each with one foot off the ground in behind them.
“‘Charleston’ Step Shown,” The Indianapolis Times (Indianapolis, IN), November 13, 1925.



Flapper fashion took on a “boyish” look and corsets were replaced by “step-ins” to flatten the chest to mirror men’s style. Women’s restrictive clothing was loosened and lightened to make movement easier. Skirts rose to knee length and waistlines relaxed and often fell to the hips. Actress Clara Bow was the onscreen embodiment of the flapper, and her life off-screen mirrored her films. She made 15 movies in 1925 alone, with titles such as The Adventurous Sex, My Lady’s Lips, and Eve’s Lover. She captured the spirit of the “flaming youth” and became the “IT” Girl of the 1920s. 

Ad for a movie from a newspaper featuring a portrait of Clara Bow (right). It reads: Clara Bow, 'The Saturday Night Kid.'
Advertisement for a movie featuring actress Clara Bow. Brownsville Herald (Brownsville, TX), November 3, 1929.

During this era, Americans generally became more fashion-conscious as fashion trends spread beyond the upper classes. As with the revolution in women’s fashion during the 1920s, men’s clothing also went through changes. The decade was one of progress and individualism as well as an increase in marketing. Men wore their hair short and slicked back. Raccoon coats, patent leather shoes, bow ties, and fedoras were the epitome of men’s style. Men favored well-tailored suits and stylish clothing to project that they were living the good life. Like the rise in women’s hemlines, men’s hemlines rose too in the form of knee-length knickers and plus-fours (knickers with cuffs falling four inches below the knee), influenced by Britain’s Prince of Wales, whose good looks and style was regularly featured in the American press. 

An ad from a newspaper with the headline: 'The Prince' A New Mallory Soft Hat. Below the text are images of hats and a portrait of the Prince of Wales.
Advertisement for a hat names after the Prince of Wales. The New York Herald (New York, NY), September 14, 1922.

The African American community particularly that of the Harlem Renaissance–a golden age of African American music, literature, and art that took place in the Harlem neighborhood of New York–placed great emphasis on stylishness. The conk hairstyle–created with a hair straightener made from lye–was trendy among African American men and was popularized by musician Cab Calloway. 

Portrait of Cab Calloway.
Cab Calloway with his iconic conk hairstyle. Twin-City Herald (Minneapolis, MN), May 27, 1933.



Fashion and other fads were also influenced by matinee idols–a craze for male theater or film stars adored by female fans. With more time and disposable income to spend on entertainment, people of the 1920s went crazy for the movies. Hollywood packaged male stars of the silent screen and churned out movies to meet the demand they created. Very popular were the “Latin lovers,” or actors who specialized in characters of ostensibly Latin descent. Movie magazines endlessly printed about them, with Rudolph Valentino, Richard Barthelmess, Douglas Fairbanks, and Ivor Novello, being some of the biggest stars of the day. 

Movie ad from a newspaper featuring a portrait of Rudolph Valentino. The title reads: Blood and Sand starring Rodolph Valentino.
Matinee idol Rudolph Valentino. The Bolivar County Democrat (Rosedale, MS), January 27, 1923.

The The Jazz Singer with Al Jolson, a talking picture by Warner Brothers, premiered on October 6, 1927 and was a smash hit. Other studios went with sound, but some continued to make silent films just in case talkies were merely a fleeting craze. However, the prosperity, technology, and leisure of the 1920s created the perfect setting for incredible public demand for talking pictures. With the rise of full-length talkies, came the demise of once popular silent film stars. Those with thick accents were pulled as well as those for whom the voice just didn’t match the face. The most notable to fall were Norma Talmadge, John Gilbert, and German actor Emil Jannings. Clara Bow had two strikes against her: a thick Brooklyn accent plus backlash against her on-and-off screen flapper lifestyle which was no longer in vogue by 1929.


Radio had its own male idols with the debut of the crooner. Advancements in radio technology and the development of sensitive microphones that better transmitted natural-sounding voices led to a style of singing softly termed “crooning.” The first successful crooner was Jack Smith, known as “The Whispering Baritone.” Another was Art Gillham who gained national fame in 1924 when he appeared with Will Rogers on the presidential election night broadcast. Later, Rudy Vallee opened at a New York club in 1928 and became a star. 

Half of a newspaper page featuring a collage of images of celebrities from the theater and from movies. The headline reads: Stage and Screen.
A collage of stars of the stage and screen. Evening Star (Washington, DC), November 17, 1929.


Radio itself became a craze in the 1920s as it brought the entire country into average American homes for the first time. The first commercial radio broadcast went out on November 2, 1920, transmitting the Harding-Cox presidential race results. Advancements in technology led to rapid development of earphone-free radio and the American public raced to stores to buy a radio of their own. Many stores offered installment plans, which meant that more households could purchase them. Families gathered around the radio in their living rooms listening to popular shows, which were then regularly scheduled so people could plan their daily activities around their favorite ones. There was something for everyone: soap operas, detective stories, comedies, vaudeville, Westerns, and others. The Grand Ole Opry premiered in 1925 as an hour-long “barn dance,” and Amos ‘n Andy, debuted in 1928, centering around a group of African American friends in the city, both of which were hugely successful.

Drawn image from a newspaper of a family sitting around a radio that is placed on a table.
“Add Another World to Yours with RADIO,” The Indianapolis Times (Indianapolis, IN), January 7, 1925.


Country Crazes

Americans were not just obsessed with entertainment–even countries became all the rage. In the early 1920s, archaeologist Howard Carter was exploring Egypt’s Valley of the Kings where the pharaohs were buried, and he unearthed the tomb of King Tutankhamun. The news made headlines across the U.S. and Egyptomania was born. Advertisers saw the potential profit and the market was flooded with Egyptian-inspired consumer products: lipstick, jewelry, soaps, and cosmetics. Fashion designers drew from Egyptian motifs and colors and fashion shows were filled with lotus patterned silk garments in mummy-wrapped styles. The obsession with all things Egyptian was the basis for the Art Deco wave of the 1920s. Geometric shapes of Egyptian patterns found their way into home décor, handbags, and ornaments. Even President Herbert Hoover named his dog “King Tut.”

A newspaper page featuring images of Egyptian motifs and women dressed in Egyptian-inspired costumes.
“How to Dress to be  Truly Egyptian,” The Omaha Morning Bee (Omaha, NE), April 8, 1923.

At the same time, China became the competitor of Egypt in terms of country crazes. Playing the game mah-jongg was the fad and all things Chinese were fashionable. The first mah-jongg sets marketed in the U.S. were sold by Abercrombie & Fitch in New York starting in 1920 to great success. In America, playing mah-jongg often involved decorating rooms in Chinese style and dressing in costuming with props such as Chinese fans, enameled trays, and lacquered tea sets. By 1923, the mah-jongg craze was in full swing. A hit song that year was Eddie Cantor‘s rendition of the tune, “Since Ma Is Playing Mah Jongg.” The new year of 1924 began with a Saturday Evening Post cover illustration of a chic young woman playing mah-jongg.

A photograph from a newspaper featuring two women sitting on either side of a small table that has a mah-jongg set atop it.
Two women playing a novelty edible mah-jongg set. Evening Star (Washington, DC), February 22, 1924.



People of the 1920s had an energy and enthusiasm for all sorts of fads, but especially events that tested the limits of human endurance, such as eating competitions, gum-chewing contests, long-distance tango races, and kissing marathons. Popular were talking contests, such as “The World’s Championship Gabfest” and the “Noun and Verb Rodeo,” that were sometimes even held in large arenas like Madison Square Garden.  From March to May 1928, the American public was captivated by the First Annual Trans-American Footrace, an 84-day, 3,400 mile footrace from Los Angeles, CA to New York City, nicknamed the “Bunion Derby.” Flagpole-sitting was another popular fad. In 1924, a former sailor and stunt man, Alvin Aloysius “Shipwreck” Kelly, drew a crowd in Los Angeles where he spent 13 hours aloft on a pole with a specially constructed platform that held him up by thumb holes like those on a bowling ball. The stunt gained him national publicity and as word spread, flagpole-sitting became a nationwide craze. 

Although competitions based on appearance had been around since at least the mid-19th century, beauty pageants began to gain respectability in the 1920s. In 1921, Margaret Gorman from Washington, DC was crowned the first “Miss America” in Atlantic City, NJ. In the years following, the pageant results, and later the contests themselves, were broadcast on radio nationwide.


A detail from a newspaper featuring a collage of images, some drawn and some photographs, of people participating in endurance challenges. The headline reads: The Race for Freak Championships.
“The Race for Freak Championships,” Coulee City Dispatch (Coulee City, WA), November 29, 1929.


Travel & Health

Steamship travel among the middle class also took off during the era. New immigration laws significantly cut the flow of immigrants to the U.S. in the 1920s. Facing a huge loss of income, steamship companies converted their steerage spaces into low-cost cabins marketed to middle class tourists. While the wealthy continued to sail in style, those in the middle class for the first time found themselves on luxury liners with more pleasant second-class and third-class accommodations. Steamship lines also began to experiment with cruising—leisure trips to scenic spots around the world. The U.S. economy was booming and steamship travel among the middle class became the thing to do.

An image of ads from a newspaper advertising steamship travel. The title (left) reads: The Admiral Line Pacific Steamship Company. The title (right) reads: The Sunshine Best Pacific Mail S.S.CO.
Advertisements for steamship travel. New York Tribune (New York, NY), June 12, 1921.

Another fad in travel for the average American was going to a health resort, usually a thermal underground mineral spring or “hot spring,” where they could “take the water.” The automobile, which became much more affordable by the 1920s thanks to Henry Ford’s assembly line manufacturing, now made it possible for city dwellers to drive out to the country to visit these spas. White Sulphur Springs, WV and Mineral Wells, TX were popular destinations with luxury hotels and posh amenities. In 1924, Franklin Roosevelt went to a spa town in Georgia for his paralytic illness and it was he who would rename the town Warm Springs and bring it fame as the “Little White House” years later. For fashionable East Coasters, it was Saratoga Springs in upstate New York, which had the luxurious Grand Union Hotel, mineral waters, and race track. For those living in the middle of the country in cities like Chicago, it was Hot Springs, AR. Railroads and highways brought droves of people to Hot Springs for health-related ailments and relaxation and it became a place for celebrity sightings, including the Chicago White Stockings baseball team and Al Capone. Taking the waters became less fashionable in the later part of the decade with the discovery of penicillin for certain diseases as well as the financial crisis of the Great Depression.

An ad from a newspaper featuring a collage of images of four different health resorts. The headline reads: A Health Resort in Omaha.
Advertisement for a health spa. The Omaha Morning Bee (Omaha, NE), March 25, 1923.



The 1920s was also the golden age of aviation when pilots became heroes, records were broken, and aircraft became more technologically advanced. Aviators like Charles Lindbergh and his female counterpart Amelia Earhart (dubbed “Lady Lindy“) were exalted and worshipped by Americans. Air races and daring record-setting flights dominated the news as aviation captivated the public’s fascination. Barnstorming was a phenomenon that really captured the public’s attention. Pilots would travel to rural areas, rent local barns to use as their headquarters, and give exhibitions of flying and perform aeronautical stunts. This type of entertainment was known as flying circuses. One of the most popular stunts was “wing-walking,” the act of stepping out on the wings of an airplane in flight, which sometimes led to the death of the performer. Lindbergh started his career as a wing-walker as did other young men, but it was pretty young women performing the stunt who drew the largest crowds. Women became quite popular barnstormers, including aviatrix Lillian Boyer and Bessie Coleman, the first African American woman to earn a pilot’s license.

A newspaper page featuring several images of daring aerial feats. The headline reads: Sensational Performance.
Advertisement for a flying circus. The Bemidji Daily Pioneer (Bemidji, MN), July 8, 1921.
Collage image from a newspaper featuring three sets of portraits of Charles Lindbergh and Emilia Earhart.
Portraits of Charles Lindbergh and Amelia Earhart with whom the press said shared an uncanny resemblance. Washington Times (Washington, DC), June 18, 1928.


Babe Ruth

With prosperity and increased leisure time after WWI, baseball gained national popularity as advancements in radio could transmit scores over longer distances. Professional baseball player “Babe” Ruth was a huge celebrity and his fame went way beyond the game. He led the Yankees to seven World Series championships and was home run champion for 12 seasons. His hitting prowess not only made millions of dollars for the Yankees franchise, but he was also credited for “saving” baseball from national disgrace after the 1919 Chicago Black Sox scandal. In addition to being an amazing ball player, Ruth was a colorful personality and newspapers endlessly reported about him.

Page from a newspaper featuring a collage of images of Babe Ruth. The headline reads: 'Did Babe Ruth Get Another One To-day?' Not 'How Did the Game Come Out?' Now the Great American Question.
An article about Babe Ruth featuring images on the baseball field and of him with his family. New York Tribune (New York, NY), August 22, 1920.


In books, one novel in particular started its own mania, but it is probably not the first one that comes to mind when you think of The Jazz Age. The Great Gatsby (1925), which is considered the novel that personifies the social, cultural, and political tensions of the 1920s, did not become popular until the 1950s, decades after its first publication and after the death of its author F. Scott Fitzgerald. It was Sinclair Lewis’ Main Street (1921) that became a publishing phenomenon. The book condemned what Lewis saw as the small-mindedness of American small towns. Everyone read it and Main Street became the hot topic of conversation that left people wondering if America was as vulgar, ignorant, and prejudiced as Lewis depicted. The book also coincided with the growing feminist movement of the 1920s with its female protagonist Carol Kennicott. The book’s success put Sinclair Lewis on the map and he went on to publish a series of best-selling books throughout the decade.

There were so many fads and crazes in America during the 1920s that it was impossible to include all of them in this blog post. Share other ones we may have missed in the comments!

A photograph from a newspaper featuring the German Shepherd Rin Tin Tin. The headline reads: Pretty Doggy Actor.
Famed dog Rin Tin Tin made the German Shepherd the most popular dog breed of the 1920s. The Seattle Star (Seattle, WA), April 6, 1925.

Discover more:

*The Chronicling America historic newspapers online collection is a product of the National Digital Newspaper Program and jointly sponsored by the Library and the National Endowment for the Humanities.

Follow Chronicling America on Twitter @ChronAmLOC

Click here to subscribe to Headlines & Heroes–it’s free!

Comments (6)

  1. What an enjoyable post! I learned so much. Thank you!

  2. COOL

  3. hi hello this is good i enjoy thank you for the information I like have good day thank you

  4. wonderful. wish it was longer.

  5. I love reading about American culture, this article filled me with information!

  6. I used this for my English project today. Yippe

Add a Comment

This blog is governed by the general rules of respectful civil discourse. You are fully responsible for everything that you post. The content of all comments is released into the public domain unless clearly stated otherwise. The Library of Congress does not control the content posted. Nevertheless, the Library of Congress may monitor any user-generated content as it chooses and reserves the right to remove content for any reason whatever, without consent. Gratuitous links to sites are viewed as spam and may result in removed comments. We further reserve the right, in our sole discretion, to remove a user's privilege to post content on the Library site. Read our Comment and Posting Policy.

Required fields are indicated with an * asterisk.