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A screen shot from Lotte Reininer’s 1926 Die Abenteuer des Prinzen Achmed or The Adventures of Prince Achmed that shows a silhouette of a figure in a garden walking towards Aladdin’s lamp.
Aladdin retrieves the magic lamp in a scene from Lotte Reiniger’s The Adventures of Prince Achmed (1926). Screen shot provided by the Library of Congress' National Audio-Visual Conservation Center.

Lotte Reiniger: Animation Innovator

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This post is by Colleen Gardina, Engineering Specialist in the Science & Business Reading Room.

As a huge Disney fan, I initially wanted to write a blog post about the Walt Disney Studio’s invention of the multiplane camera and how Walt Disney revolutionized the animation industry by producing the first full-length animated film.

While conducting my research, however, I was shocked to find that Disney did not invent the multiplane technique. Though Walt Disney did hold a patent and was inducted into the National Inventors Hall of Fame for the multiplane camera, Lotte Reiniger was the first to develop multiplane technology that enabled the multiplane camera to add dimension to animation.

Lotte Reiniger was born in Berlin, Germany in 1899. One of her favorite hobbies growing up was “scherenschnitte,” the art of paper cutting with precise cuts. She became very adept at cutting silhouettes. Fairy tales were also an impactful part of her childhood, and she loved reinventing stories. Her passion for silhouettes and fairytales would lead her to a career in animation.

A screen shot of Lotte Reiniger’s credit sequence written in German, translated as a silhouette film by Lotte Reinger. The frame is ornate with silhouettes of Arabic design patterns flanked by peacocks on either side.
Lotte Reiniger’s credit for her silhouette work in The Adventures of Prince Achmed (1926). Screen shot provided by the Library of Congress’ National Audio-Visual Conservation Center.

When she was seventeen, Lotte persuaded her parents to allow her to attend the Max Reinhardt School to pursue acting. However, her paper silhouettes were what got her noticed and she was hired by a famous German actor, writer, and film director, Paul Wegener, to work on her first animated film, The Pied Piper of Hamelin.

A few years later, Reiniger met her future husband, Carl Koch, who came to work with her and Wegener. Reiniger’s silhouette skills became in-demand and she and her husband began to work on more films. She and Koch produced several short, animated films in the 1920s. By 1926, Lotte had written, directed, and animated what is now considered the oldest surviving animated feature film, The Adventures of Prince Achmed, ten years before Snow White and the Seven Dwarfs (It’s important to note, however, two earlier animated films were made in Argentina but are now considered lost).

Screen shot of the title frame of Lotte Reiniger’s The Adventures of Prince Achmed . The titles is written in German and the frame is ornate with silhouettes of Arabic design patterns flanked by peacocks on either side.
Title screen for Lotte Reiniger’s The Adventures of Prince Achmed (in German), 1926. Screen shot provided by the Library of Congress’ National Audio-Visual Conservation Center.

The Adventures of Prince Achmed is based on elements of One Thousand and One Nights, written by Hanna Diyab. In the film, a handsome prince rides a flying horse and embarks on adventures, such as battling demons and meeting Aladdin, a lazy boy enlisted by a magician to retrieve a magic lamp from a cave.

While making the film, Lotte used her signature silhouette puppets. To aid in the animation process, she created a set-up she called a “tricktisch” or “trick table,” which housed the camera, lights and scene to be animated. However, she realized that the puppets looked two-dimensional. To give the film depth, she invented the multiplane technique.

A frame of one of the opening scenes, showing people celebrating their ruler's birthday. The image contains silhouettes of people surrounding their ruler who is on an elaborate carriage carried by two elephants. The palace and the city are in the background
A frame of one of the opening scenes showing people celebrating the Caliph’s birthday. From Lotte Reiniger’s The Adventures of Prince Achmed (1926). Screen shot provided by the Library of Congress’ National Audio-Visual Conservation Center.

This technique involved placing the silhouettes on horizontal planes, which were stacked and photographed from above.

Later, the Walt Disney Studios would apply this technology to develop their own multiplane camera, but the originator of the method was Lotte Reiniger.

Are you interested in watching some of Lotte’s films? The Moving Image Research Center at the Library of Congress has a selection of her films available to view by appointment:

Want to learn more about Lotte Reiniger and her work? Check out these books:

Cover image from a portfolio of The Adventures of Prince Achmed which includes a silhouette figure on top of a jumping horse and large bold lettering that reads Achmed Lotte Reiniger
Cover of the portfolio of Lotte Reiniger’s The Adventures of Prince Achmed (1926), Wertham Collection, Rare Books and Special Collections, Library of Congress.

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