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In Harmony Small Things Grow: The Elzevir Family of Publishers and Printers

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Elzevir printer’s mark. Second Floor, East Corridor. Library of Congress, Thomas Jefferson Building, Washington, DC. Photograph by Erika Spencer, 2019.

As reference librarians, we work hard to connect researchers with the materials they need, or might not even know they need. However, every now and then we pause to contemplate the first printers and publishers, without whom our jobs possibly would not exist. Such contemplation is particularly easy to do in the Library of Congress’ Jefferson Building, where the second floor corridors are decorated with the names and marks of many early printers.

In a previous post, we discussed Christophe Plantin and his printer’s mark, or device, which shows a compass and the motto “Labore et Constantia” (Work and constancy). This was Plantin’s most famous device, although he used others as well. Similarly, another famous family of publishers from the Low Countries, the Elzevirs, used several marks over time. The one decorating the Jefferson building is perhaps the best known. An elm tree encircled by a grapevine, with a lone man standing on the side, plus the Latin expression, “Non Solus” (Not alone), is thought to refer to the relationship between publishers and scholars who cannot exist without each other. The man is variously known as the Hermit, the Sage, or the Solitaire, perhaps referring to the solitary pursuits of a scholar seeking wisdom.

Non Solus (Not alone). Detail from photograph by Erika Spencer, 2019.
From Joannes de Laet’s “Historie ofte Iaerlijck verhael van de verrichtinghen der Geoctroyeerde West-Indische compagnie.” (History of the true story of the Dutch West India Company). Leyden: Bonaventuer ende Abraham Elsevier, 1644.












The Elzevir family was in the book business from the late 16th to the early 18th century. Established in Leiden around 1580 by Louis Elzevir (1540s-1617), the business prospered and expanded under his sons and grandsons. Louis was born to a printer family in Leuven (Louvain), so he was already familiar with the book trade. This stood him in good stead while looking for work during turbulent times in the Low Countries, with Catholics and Protestants clashing over religious and political supremacy.

Buildings familiar to Lois Elzevir. The 15th-century Leuven (Louvain) city hall. Detail from image, Photoglob Company, ca. 1890-1906.
The 14th-century fortress, Steen in Antwerp.
Leiden, the 16th-century old town hall. Detroit: Detroit Publishing Co., 1905.

Trying to find stability and a religious haven, the growing Elzevir family moved from the Catholic to the Protestant Low Countries. Louis engaged in book binding and selling, even working for a while for the already successful Plantin publishing family in Antwerp. In fact, these two best-remembered publishing houses from this area kept in sporadic contact with each other. Eventually, the Protestant-friendly city of Leiden, with its university and profitable book trade, became home to Louis and his family of five surviving sons and two daughters. Louis published about 150 books and primarily used a printer’s mark in which an eagle is accompanied by the motto “Concordia res parvae crescent” (In harmony small things grow). This likely refers to Louis’s initial struggle to become established. One can also imagine a busy father of many children exhorting the family to act in harmony.

Elzevir printer’s mark in which an eagle is accompanied by the motto, “Concordia res parvae crescent” (In harmony small things grow). The woodcut is from Dominique Baudius. “Oratio funebris dicta honori & memoriae maximi virorum Iosephi Iusti Scaligeri.” Lugduni Batavorum: Prostant apud Ludov. Elzevirium & Andream Cloucquium, 1609.

Louis’s son Bonaventure Elzevir (1583-1652), and his grandsons Abraham (1592-1652) and Isaac Elzevir (1596-1651), were perhaps the best known family members, although all of Louis’s sons and several of his grandsons also made the Elzevir name much respected in the printing and publishing business. The Elzevirs worked mainly with scholarly material including religion, philosophy, law, the classics, history, geography, medicine, and the natural sciences. The family expanded its operations to Amsterdam and Utrecht, as well. A later mark used by the Elzevir family shows Minerva, the goddess of wisdom, by an olive tree. The banderole, or banner, reads “Ne extra oleas” (Nothing beyond the olive tree). This is taken to mean that one should stay within the bounds of wisdom.

“Ne extra oleas” (Nothing beyond the olive tree). This is taken to mean that one should stay within the bounds of wisdom. The Minerva on the left is from René Descartes. “Discours de la méthode” (A Discourse on Method). Amstelodami, Apud L. Elzevirium, 1644.
On the right, from Antonio Pérez. “Commentarius in quinque et viginti Digestorum libros” (Commentary of twenty-five book digests). Amstelodami: Apud Danielem Elzevirium, 1669.













With the Low Countries in the grip of religious and political controversy, publishing contentious material could result in severe punishment by those in power. Thus printers frequently resorted to anonymity, leaving out their names or using a mark that differed from their usual ones. The Elzevirs sometimes used a sphere as a device when discretion was advisable.

Sphere mark from Henri, Duc de Rohan. “Memoires dv dvc de Rohan” (Memoires of the Duc de Rohan). Amsterdam: Chez L. Elzevier, 1646.

Because spelling was not standardized at the time, Elzevir books are found in the Library of Congress online catalog, e.g., under Elsevir, Elzevier, Elsevier, or Elzevirium. Those with the patience to hunt for Elzevir books in the Library of Congress will discover many treasures, including fascinating illustrations. It should be noted that the publishing company currently operating under the name Elsevier has no connection to the original Elzevirs, but chose the name because of its respected history.

“Historia naturalis Brasiliae” (Natural history of Brazil). Detail from title page.



“Historia naturalis Brasiliae” (Natural history of Brazil). Detail from title page.


Details from Willem Piso. “Historia naturalis Brasiliae” (Natural history of Brazil). Lugdun. Batavorum: Apud Franciscum Hackium, et Amstelodami, apud Lud. Elzevirium, 1648, title page and pp.182-3.
According to Descartes, the universe was a constantly-running machine set in motion by God. Shown here is Descartes’s system of vortexes that carry the planets around the sun. From René Descartes. “Principia philosophiae” (“Principles of Philosophy”). Amstelodami: apud Ludovicum Elzevirium, 1644, p. 114.
Joannes de Laet. “Historie ofte Iaerlijck verhael van de verrichtinghen der Geoctroyeerde West-Indische compagnie.” Leyden: Bonaventuer ende Abraham Elsevier, 1644, map of Puerto Rico, p. 58.

Comments (6)

  1. Thanks to the LOC for digging out and sharing these pieces of history that remind me of our debt to publishers as well as thinkers and writers.

  2. Here’s to all those humans who dare to work for a better tomorrow today and know that divinity dwells within.

    Here’s to the brave fallen and felled, those who have had false witness spoken against them bearing spite, greed and dogmatic ignorance.

    Here’s to that day were humans at long last learn to meet the rising sun and know that they are of one conscious mind.

    Be not overcome by your struggles, be emboldened to find swift resolutions, so that you may fill your lungs with clean air and feel the cool breeze across your skin.

    We are here right now in this moment together…can you hear me?

    There are not differences between us, but as yet unknown similarities, so warm your smile and lift your heart, as the ascendant cosmic energy of our universe greets us, all and one, one and all.


  3. The name Lugduni Batavorum appears under the eagle printer’s mark in one of the above illustrations. Was he the artist who created the mark? The description below the illustration seems to indicate the image appears in a book written by Dominique Baudius published in 1609. Can anyone direct me to a biography of Lugduni Batavorum or any information about him? Many thanks.

  4. The Elseiver printer’s mark of the eagle in one of the above illustrations has the name Lugduni Batavorum. Was he the artist who created the mark? Can anyone direct me to a biography of Lugduni Batavorum or any information about him? Thanks.

  5. “Lugduni Batavorum” actually refers to the city of Leiden in the Netherlands. The terms are the old Latin ones, Batavia being a large region of the present-day Netherlands, and Lugdunum was believed to be the Latin name for Leiden.
    Presumably various members of the Elzevir family commissioned the art work in the printer’s marks.
    For additional information, please go to

  6. Thanks so much to the effort of publishers for inditing this work of history. Making it so easy to reach out to some distinct work without much stress.


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