This is a guest post by Sheri Wells-Jensen, Baruch S. Blumberg NASA/Library of Congress Chair in Astrobiology, Exploration, and Scientific Innovation at the Kluge Center. Wells-Jensen is Associate Professor in the Department of English at Bowling Green State University in Bowling Green, Ohio. A linguist with research interests in phonetics, braille, language creation, and disability …
This is a guest post by Bela Kellogg. Kellogg is a 2023 Kluge Center summer intern, where she worked with Writer-Editor Andrew Breiner and Kluge Fellow Samira Spatzek. She is currently pursuing a BA in English and history of art from the University of Michigan. In addition to being a member of the La Jolla …
This is a guest post by Sheri Wells-Jensen, Baruch S. Blumberg NASA/Library of Congress Chair in Astrobiology, Exploration, and Scientific Innovation at the Kluge Center. Wells-Jensen is Associate Professor in the Department of English at Bowling Green State University in Bowling Green, Ohio. A linguist with research interests in phonetics, braille, language creation, and disability …
This is a guest post by Shealyn Fraser. Fraser is a 2023 Kluge summer intern, where she worked with Cary and Ann Maguire Chair in Ethics and American History Tamika Y. Nunley on her projects examining Black women’s knowledge of the law and reproductive rights. She graduated with her Bachelor of Arts in American Studies …
This is a guest post by Amanda Escotto. Escotto is a 2023 Kluge Center summer intern where she works with Kluge Chair in American Law and Governance Michael Jones-Correa in his research on social interaction and civic engagement of undocumented immigrants. She is a Master of Public Administration Candidate at the State University of New …
This is a guest post by Arts and Humanities Research Council Fellow Stuart Nolan, of Lancaster University in the UK. His research at the Kluge Center looks at the influence of New Thought on theatrical mentalism. Reading through the scrapbook of newspaper reports of the public appearances of the thought-reader John Randall Brown, in the …
It started with a sneeze, or so we thought. Since the 1950s, film historians counted “The Sneeze” from 1894 as the earliest surviving film copyrighted in the United States. At this time, the film began being shown as a motion picture after being copied back to film from a photograph. Claudy Op den Kamp, a …
