If you are planning a trip to Washington, D.C., to see the Magna Carta exhibition, may I suggest another stop on your itinerary? You’ve heard the phrase “hidden gem,” but the object I am sharing with you today truly takes that term to a new level. It is a Magna Carta replica tucked into the crypt of the Capitol Building (“hidden”) and encrusted with jewels (“gem”). It is part mini-monument, part objet d’art.
While I think this is something that must be appreciated in person, the panel accompanying the replica provides a good description and gives its background:
Magna Carta Replica and Presentation Case
Gift of the Parliament of the United Kingdom of Great Britain and Northern Ireland
This display features a presentation case with a gold replica of the English document whose principles underlie much of the United States Constitution. Magna Carta (Latin for “Great Charter”) was sealed by King John of England in 1215 after his barons, dissatisfied with his capricious rule, united to limit the king’s powers and forced him to agree to its contents. Magna Carta forbade arbitrary arrest and imprisonment, established rights to a fair trial and to security of property, and guaranteed that the nation’s government was bound by the same laws as its subjects.
Centuries later, the English colonists in North America were inspired to reassert these rights and liberties. America’s Declaration of Independence and Constitution were founded upon the basic principles of Magna Carta.
The stainless steel presentation case, which is clad in gold and white enamel tiles intended to suggest feathers, contains two gold panels.
The panel in the front is inscribed with a replica of Magna Carta and holds gilded replicas of the two sides of King John’s seal. On the vertical glass panel is the English translation of Magna Carta.
On the gold plate at the bottom of the upper half of the case, images of opposites, including the sun and the moon and Adam and Eve, are engraved in contemporary stile and highlighted with pearls and gems. Fifty diamonds above a dove represent the fifty states. Above the plate a three-dimensional tree of life springs from the four rivers of paradise. Around the trunk a snake, representing evil, coils below the Apples of Original Sin and mistletoe. The tree branches hold the Tudor Rose for England, the shamrock for Ireland, thistles for Scotland, and daffodils for Wales. From oak leaves and acorns, for Britain, rises the Royal Coat of Arms, with the gold lion and silver unicorn set with precious gems under a crown. The brilliant colors were created with enamel.
The presentation case rests upon a slab of polished pegmatite, a volcanic stone. The pedestal of the display case is made of Yorkshire sandstone.
The presentation case was designed by Louis Osman (1914-1996), who had made the crown for the investiture of Prince Charles. He was assisted by thirty craftsmen, among them his wife, Dilys, who did the enameling. The display was presented to the United States Congress by the Parliament of the United Kingdom to celebrate the bicentennial of American independence. Representatives of the Parliament and the Congress formalized the gift at a ceremony in the Capitol Rotunda on June 3, 1976. The earliest extant original copy of Magna Carta was displayed in the case atop the gold replica for one year and then was returned to England.
The display remained in the Rotunda until 2010. During its move to this location, the presentation case was conserved.
To see this Magna Carta replica, you will need to be on an official tour of the Capitol. Lucky for you, the Library of Congress Jefferson Building is connected by a tunnel to the Capitol Visitors Center, so you can pop over after seeing our Magna Carta exhibition.
The Library of Congress is commemorating the 800th anniversary of Magna Carta with an exhibition – Magna Carta: Muse and Mentor, a symposium, and a series of talks. Through January 19, 2015, the Lincoln Cathedral Magna Carta, one of four remaining originals from 1215 is on display along with other rare materials from the Library’s rich collections to tell the story of 800 years of its influence on the history of political liberty.
Comments (3)
The glass panel in low iron glass acid etched Magna Carta text filled gold leaf was produced by Clark Eaton ltd at their Bracknell glass works. text and gilding was carried out by myself John Bonney and John Couzens (deceased) in the glass decoration department I have the original news paper clips also showing Colin Cooper acid department and Dennis Gelach the foreman now (deceased) several prototypes were produced before the actual panel was finished. the glass panel approx.8 weeks to complete. then glazed into the case and presented to the USA
Thanks for the comment John – Dennis Gerlach was my uncle. As a child I recall him working on this project and seeing the press cutting. I would love a copy of the cutting for our family archive. I am off to the Magna Carta exhibition at the British Library at the weekend.
I remember working at cannons Ashby house with my father,when they were making this,and often visiting the room where the goldsmiths were working.
They packed it in a large crate for transporting, it was all very interesting at the time.