BOOM Shaka-laka-laka!

Where were you when you first heard that?

Cover of LP "Stand!"

“Stand!” by Sly and the Family Stone

I was in the theater audience for the movie “Woodstock,” and I recall thinking even then that the section featuring Sly and the Family Stone was the high point of the film. Now, whenever I hear “I Want to Take You Higher,” which has the Boom-shaka-laka-laka bridge between verses, I visualize the long fringe, on Sly Stone’s jacket sleeves, flying through the air in slow motion.

The 1969 long-playing album “Stand!” by Sly and the Family Stone, which includes that song, not to mention the hit “Everyday People” and the title cut, is among 25 recordings being added to the Library of Congress National Recording Registry for 2014. This designation is given to recordings regarded as having cultural, artistic or historical significance worthy of preservation for future generations.

This year’s recording registry additions (bringing the grand total of recordings so designated to 425) are a lively mix of rock, folk, pop, jazz, blues, religious and classical, some spoken-word, and some historic recordings.

For example, there’s “Sixteen Tons” by Tennessee Ernie Ford, who had a huge hit in 1955 with this song about a tough hombre who mines coal for a living: “You load 16 tons and what do you get? Another day older, and deeper in debt. Saint Peter, don’t you call me ’cause I can’t go – I owe my soul to the company store.”

Ford, a popular bass-baritone, managed to put a lot of grit into his performance of the song even when he sang it with crystal-clear enunciation (he had classical voice training), wearing a tailored suit.

But to add true grit, this year’s recording registry also includes Blind Lemon Perkins’ 1928 recording of “Black Snake Moan” and “Match Box Blues.”

Joan Baez

Joan Baez Photo by William Claxton

 

Joan Baez’s first album recorded in 1960 and titled with her name is in this year’s registry. It is a collection of folksongs, sung in her bell-like voice with minimal accompaniment, committed to vinyl at the dawn of her long and productive career.

Also on this year’s list is jazz saxophonist Gerry Mulligan’s 1953 live concert version of “My Funny Valentine.” The Gerry Mulligan collection is held at the Library.

Lauryn Hill’s 1998 “The Miseducation of Lauryn Hill” is on this year’s list, along with Radiohead’s 1997 album “OK Computer.” Ben E. King’s soulful “Stand By Me” (1961) is listed, along with the Righteous Brothers’ painful “You’ve Lost That Lovin’ Feelin'” from 1964.

The Doors’ eponymous first album (1967) is there, too – which includes not only the high-airplay “Light My Fire” and the highly regarded album cut “The End” but also their version of Kurt Weill’s wry, dry “Alabama Song,” better known by its lyric “Oh, show me/ the way/ to the next/ whiskey bar – No, don’t ask why.”

Touching base with history, there is a set of wax-cylinder recordings of sounds people captured at home between 1890 and 1910, collected by the University of California, Santa Barbara Library; radio coverage of the funeral of Franklin Delano Roosevelt, featuring a sobbing breakdown on the air by reporter Arthur Godfrey; 101 wax-cylinder recordings made of international displays presented at the 1893 World’s Fair at Chicago; and two Irish fiddle tunes laid down in 1922 by Michael Coleman, a violinist who kept this element of Eire real, both in his home nation and in the U.S.

Meanwhile, on the lighter side, the registry takes in Steve Martin’s 1978 LP of wacky bits from two standup shows, titled “A Wild And Crazy Guy” and an album that gathered together some of the best-loved songs from the show “Sesame Street.”

And in a nod to the rise of women in classical music, the 2014 registry includes “Fanfares for the Uncommon Woman,” recorded by the Colorado Symphony conducted by Marin Alsop. The 1999 album presents five fanfares written by composer Joan Tower celebrating “women who are adventurous and take risks” with each fanfare dedicated to a different woman of the music world. It is appropriate that the Colorado Symphony recorded this collection, in that Colorado was an early adapter to women on the concert-hall podium – not only Alsop but also Antonia Brico and JoAnn Falletta.

 

 

 

 

 

 

3 Comments

  1. Fran Morris Rosman
    March 25, 2015 at 11:41 am

    Thank you for a truly wonderful start to my work day.
    The Ella Fitzgerald Charitable Foundation LOVES
    the Library of Congress!

  2. Mary Ann Johnston
    March 25, 2015 at 12:10 pm

    Can’t believe there is no Bob Dylan album in the LOC registry…(at least I could not find one). His oeuvre is so unique, beautiful and poetic–the sound of my generation.

  3. Jennifer Gavin
    March 25, 2015 at 1:39 pm

    Ms. Johnston, good news. Bob Dylan’s “The Freewheelin’ Bob Dylan” was named to the recording registry in 2002: “This album is considered by some to be the most important collection of original songs issued in the 1960s. It includes “Blowin’ in the Wind,” the era’s popular and powerful protest anthem. Dylan’s lyrics, music, and performing style marked him as a highly-influential figure in the urban folk-music revival of the 1960s and 1970s, whose work remains significant and influential today.”

Add a Comment

This blog is governed by the general rules of respectful civil discourse. You are fully responsible for everything that you post. The content of all comments is released into the public domain unless clearly stated otherwise. The Library of Congress does not control the content posted. Nevertheless, the Library of Congress may monitor any user-generated content as it chooses and reserves the right to remove content for any reason whatever, without consent. Gratuitous links to sites are viewed as spam and may result in removed comments. We further reserve the right, in our sole discretion, to remove a user's privilege to post content on the Library site. Read our Comment and Posting Policy.

Required fields are indicated with an * asterisk.