Top of page

New Acquisition: Art Buchwald Papers

Share this post:

This is a guest post by Barbara Bair, a historian in the Manuscript Division.

Art Buchwald with Katharine Graham of the Washington Post in 1962. Art Buchwald Papers.

In our era, when late-night satiric commentary on the day’s events from the likes of Trevor Noah, Samantha Bee or John Oliver constitutes a cutting-edge source of news for many Americans, or spoofs by the cast of “Saturday Night Live” influence elections and affect the reputations of presidents and their appointees, it is good to remember that political commentary in the United States has, for a long time, held sway in the form of a laugh.

Recent acquisition of the Art Buchwald Papers by the Library of Congress celebrates Buchwald (1925–2007), a master of the genre, whose columns in the Washington Post, syndicated in hometown newspapers across the nation, were first-stop reading for a generation of Americans.

Buchwald was a satirist, poet, columnist, writer, speech giver and friend to many, great and small. He takes his place in an echelon of funny men—from Mark Twain to Robin Williams—who also knew intimately the dark side of life. Buchwald entertained in part to be loved. And because he loved, he entertained. His biting sarcasm and comic send-ups were directed at presidents and members of Congress. He addressed many of the leading stories of his day, from impeachment crisis, to environmental concerns, gun control, drug addiction, depression, nuclear policies and civil rights.

The “Blues Brothers”: From left, Mike Wallace, Buchwald and William Styron on Martha’s Vineyard, Mass. All three had experience with clinical depression. Art Buchwald Papers.

Born in the United States to immigrant Jewish parents, Buchwald showed wit and intelligence, as well as angst, even while a little boy passing through the foster care system. He went on to the Marine Corps, spent time in college and then forged a career for himself as a journalist, first for the Herald Tribune in Paris, and then based in Washington, D.C., with the Post. In 1982, he was awarded the Pulitzer Prize for Outstanding Commentary. His papers will soon grace Library of Congress shelves beside other Pulitzer winners and friends from the world of print journalism—including Katharine Graham, Meg Greenfield, Mary McGrory, Herbert Block and Jules Feiffer—as well as masters of broadcast comedy like Groucho Marx and Bob Hope.

Buchwald’s father, who spoke Yiddish, learned English from reading newspapers. During Buchwald’s youth, the star of radio, film and press was the Cherokee-American Will Rogers, famous for quipping, “All I know is just what I read in the papers,” and “It’s easy being a humorist when you’ve got the whole government working for you.” Buchwald took up the comic mantle in this same politically focused journalistic tradition. He used public appearances, the periodical press and several books as his forum. Like Rogers, Jerry Lewis and others, he utilized his comic celebrity to bring notice to charitable causes and champion tolerance for the handicapped and the rights of the dying, the vulnerable and the disabled.

Friends in high places: A January 20, 1975, letter from First Lady Betty Ford to Buchwald. Art Buchwald Papers.

What would Buchwald make of our world of Twitter? It was Buchwald who observed, “The world itself is a satire. All you’re doing is recording it,” and “Just when you think there’s nothing to write about, Nixon says ‘I am not a crook.’ Jimmy Carter says, ‘I have lusted after women in my heart.’ President Reagan says, ‘I have just taken a urinalysis test, and I am not on dope.’”

Buchwald knew a Who’s Who among the nation’s journalists, writers, publishers, broadcasters and entertainers. Carly Simon wrote a song for him when he was dying. Ethel Kennedy gave him a signed copy of the recording of Andy Williams singing at Robert F. Kennedy’s funeral mass. William Styron and Mike Wallace joked with him about being the “Blues Brothers,” all three having experienced clinical depression. And Carol Burnett for a time planned to be buried with Buchwald and other friends on Martha’s Vineyard. First ladies wrote to thank him for making them laugh, or to invite him over to the White House for cocktails. His friend Dr. Seuss (Theodor Seuss Geisel) sent him a hand-edited copy of “Marvin K. Mooney Will You Please Go Now,” with the main character’s name changed to Richard M. Nixon: “Richard M. Nixon will you please go now! . . . I don’t care how./ You can go by foot. / You can go by cow.”

The beloved columnist died in 2007. Edward Kennedy observed that “the special art of Art Buchwald was to make even the worst of times better.” Buchwald himself famously reminded us, “Whether it is the best of times or the worst of times, it is the only time we’ve got.” The Library of Congress heralds Buchwald making the best of times, through this acquisition of his papers.

Comments (5)

  1. Thank you for this message: I (born in late 1961) remember (although not as clearly as I would like) reading and enjoying Buchwals’s column in the Long Island daily newspaper Newsday (around the time of Watergate) — and I am glad not only that the Library of Congress will have his papers, but that I got a bit cheered up by notification of this blog post coming to my email Inbox.

    As for the relevance of his comment on each day’s news as already-written satire material, I will only say that the comment seems to have continued to remain relevant (although I’m tempted to use a politician’s “No comment” (or that Buchwald’s line “speaks for itself) to avoid other readers being disturbed by what I decided to say about the comment itself).

    Again, Thanks (from an ex-Long Islander in New York City).

  2. He was the best. We could use his sense of humor today

  3. What a nice article!

  4. I grew up in the 1970s, reading Buchwalds syndicated column in The Hindu.What an amazing satirist. I have one book of his that I still Treasure. Even today, I scour through bookstores and the Next, looking for his books. I wish somebody would reprint his books .

  5. I used to read Art Buchwald’s column in the Washington Post and always found his satire on point. My seventh grade social studies teacher would read his columns to the class. The one I remember most vividly was the one concerning literacy tests in the south where the black man had to do quite difficult tasks ( recite the Magna Carta in the original Latin) where as the white man was give multiple chances to spell “cat” correctly. Sadly, I had not idea how close to reality that was. I wish I could find that column today.

Add a Comment

This blog is governed by the general rules of respectful civil discourse. You are fully responsible for everything that you post. The content of all comments is released into the public domain unless clearly stated otherwise. The Library of Congress does not control the content posted. Nevertheless, the Library of Congress may monitor any user-generated content as it chooses and reserves the right to remove content for any reason whatever, without consent. Gratuitous links to sites are viewed as spam and may result in removed comments. We further reserve the right, in our sole discretion, to remove a user's privilege to post content on the Library site. Read our Comment and Posting Policy.

Required fields are indicated with an * asterisk.