By the People, the Library’s crowdsourcing transcription project, is calling on volunteers to complete 1,000 pages from the “Suffrage: Women Fight for the Vote” campaign before Monday, August 19th. The speeches, diaries, and letters of suffragists reveal complex personalities and a multifaceted movement. Here, Elizabeth A. Novara, a historian in the Library’s Manuscript Division, writes about some of the family and personal relationships that sustained the fight for the vote for over seven decades.
On June 5, 1856, Susan B. Anthony struggled to write a speech on women’s equal education. Who could she turn to but her friend and fellow women’s rights advocate, Elizabeth Cady Stanton?
“I can’t get up a decent document,” Anthony wrote, “so for the love of me, & for the saving of the reputation of womanhood, I beg you with one baby on your knee & another at your feet & four boys whistling buzzing hallooing Ma Ma set your self about the work – it is of but small moment who writes the Address, but of vast moment that it be well done.”
This letter, marked “Private,” is one of many women’s suffrage leaders’ newly digitized papers in the Library’s Suffrage Crowdsourcing Challenge. Volunteers can transcribe online documents related to the daily lives of suffragists such as Stanton, Anthony, Anna E. Dickinson, Mary Church Terrell, Carrie Chapman Catt, Lucretia Mott, Lucy Stone, Lydia Maria Child and Julia Ward Howe.
Five days after receiving Anthony’s letter, Stanton replied, “Your servant is not dead but liveth. Imagine me, day in and day out, watching, bathing, nursing and promenading the precious contents of a little crib in the corner of my room….Come here and I will do what I can to help you with your address, if you will hold the baby and make the puddings….Now that I have two daughters, I feel fresh strength to work for women. It is not in vain that in myself I feel all the wearisome care to which woman even in her best estate is subject.”
These letters not only reveal Stanton’s and Anthony’s complementary relationship—Anthony was the celebrated orator and Stanton the superior writer—but also Stanton’s role as a housewife and mother, which limited her ability to participate in suffrage activities during her child-rearing years. Anthony, who neither married nor had children, was free to travel and lecture throughout the country. Stanton, however, would remain a force in the women’s rights movement, serving as a national leader through the end of the 19th century.
Of her seven children, the baby on Stanton’s knee would grow up to be Harriot Stanton Blatch (1856-1940). She followed in her mother’s footsteps, becoming a suffrage leader in England and in the United States. Blatch’s ideas diverged from her mother’s in that she believed strongly that working-class women needed the vote more so than elite white women. Still, she worked to preserve her mother’s legacy. Harriot’s own daughter, Nora Stanton Blatch Barney (1883-1971) was the first American woman to earn a civil engineering degree and, like her mother and grandmother, was active in the suffrage movement.
Few women who began the suffrage movement before the American Civil War, including Stanton and Anthony, lived to see the fruits of their labors with the passage of the 19th Amendment, which gave many women the right to vote in 1920. However, their work was carried on by a new generation of women whom they inspired and taught. By transcribing the letters, diaries, speeches and other documents in the Suffrage Topic on “By the People,” you can discover more about the family and personal relationships that sustained the suffrage movement and the intergenerational story of the women, their daughters, granddaughters, and protégées, who took up the fight for the vote.
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Dear my friends; There is no difference between men and women in all human rights all over the world. If there was only men or women on the earth,humans life on the earth were 100 years!!
In 1902, at 17, Sophie Treadwell entered the University of California at Berkeley and in 1906 graduated with a Bachelor of Letters in French. While at Berkeley Sophie wrote fiction and poetry and was a regular in the drama club. At 19 she was the campus correspondent for the San Francisco Examiner. By the time she was 21 she was feature writer and theatre critic for the San Francisco Bulletin. At 25 she went undercover disguised as a homeless prostitute to write An Outcast at the Christian Door, an 18-part series on church-sponsored charity to collect money for such women that was woefully underfunded and woefully distributed.
In 1914 Sophie Treadwell became the first woman reporter accredited by the Department of State to go to France to cover World War I and while there wrote Women in Black, articles about how the war affected women in the warring countries. In 1915 Harper’s Weekly published them. By the 1920s Sophie Treadwell was at the height of her career: she had written sixteen plays focused on feminist issues with women as the lead characters – seven of her plays received Broadway productions, she joined the Lucy Stone League to advocate for sexual independence, birth control rights, increased sexual freedom and woman’s own-name rights, she had completed a 150-mile cross-country walking trip to deliver a petition for women’s suffrage in New York, she traveled as a journalist to Mexico to cover the Revolution – the only woman journalist given permission by Poncho Villa to interview him. Sophie wrote about corruption in professional sports, published a novel, was a lead reporter for two of New York’s prestigious newspapers, the New York American and the New York Tribune.
At 29, Sophie was one of the most admired and internationally famous journalists, playwrights and suffragists in the country.
And six years later, at 35, Sophie got a chance to vote.
I have read a book on the movement, donated $100 for a statue that will be in my city that will represent the right to vote and I will be seeing a play about the movement at UNI and will be going to 2 book discussions about the subject.
Some members of AAUW Cedar Falls-Waterloo went to the Elizabeth Cady Stanton museum in Charles City, Iowa. Keep up the good work.