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Joan Miró’s “Makemono” Scroll — All 32 Feet of It!

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A colorful section of “Makemono,” unrolled by Library staff. Photo: Shawn Miller. Rare Book and Special Collections Division.

—This is a guest post by Stephanie Stillo, a curator in the Rare Book and Special Collections Division.

Throughout his career, pioneering surrealist Joan Miró pushed the boundaries of art.

In a piece recently acquired by the Library, Miró took that experimentation to new, extreme lengths — 32 feet, to be exact.

The artwork, “Makemono,” is a colorfully illustrated silk scroll that the Spanish artist created in collaboration with French lithographer Aimé Maeght in Paris in 1956.

In the years following World War II, Miró became increasingly experimental, initiating projects that employed lithography, pochoir, woodcuts, calotypes and various forms of texturizing and defacement in printmaking.

It was in this period of great creativity that Miró partnered with Maeght to create “Makemono” — a showcase of vibrant colors and technical prowess.

As its name suggests, Miró modeled the scroll after picture and calligraphic scrolls of ancient East Asian origin. Similar to traditional Asian scrolls, which present a narrative journey for the viewer, Miró filled “Makemono” with his own biomorphic characters, such as birds, eyes and the moon — an evolving visual language of figures that became the artist’s trademark throughout 20th century.

To complete the experience, the scroll is housed in a hand-carved, painted and varnished wood box, also composed by Miró.

The acquisition of “Makemono” complements the notable holdings of Miró material in the Aramont Library, a collection donated to the Library several years ago. In private hands for over 40 years, the Aramont Library consists of 1,700 volumes of literary first editions, illustrated books and an astonishing collection of “livres d’artiste” — books produced by some of the most important modern artists of the 20th century.

“Makemono” achieves a distinct blend of East and West, with an added taste of Miró’s native Catalonia — a true landmark in his own notorious experimentation with different forms of visual storytelling.

Comments (7)

  1. Will LOC put entire work on public display soon?

  2. Pochoir.

    (typo in the fourth paragraph.)

    • Thanks, Suzanne! It’s been fixed.

  3. What a joyous surprise to find a section of Miro’s scroll opened for us to see! It does have some similarity to the historic scrolls of Asia often depicting an event, sometimes in sequence. However, by seeing this section, I surmise that this scroll represents only a representation of separate symbols that Miro chooses to use. Although somewhat the same function, I consider Miro’s motivation for this presentation to serve a different purpose.

  4. i would like to see more of the miro scroll can you please send me the lot to review and look at

    • Hi Sharon,

      Alas the entire scroll has not yet been digitized; a piece of that size is very challenging to scan.


  5. Beautiful! I wonder if this inspired The Very Hungry Caterpillar.

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