Joan Miró’s “Makemono” Scroll — All 32 Feet of It!

A colorful section of “Makemono,” unrolled by Library staff. Photo: Shawn Miller. Rare Book and Special Collections Division.

—This is a guest post by Stephanie Stillo, a curator in the Rare Book and Special Collections Division.

Throughout his career, pioneering surrealist Joan Miró pushed the boundaries of art.

In a piece recently acquired by the Library, Miró took that experimentation to new, extreme lengths — 32 feet, to be exact.

The artwork, “Makemono,” is a colorfully illustrated silk scroll that the Spanish artist created in collaboration with French lithographer Aimé Maeght in Paris in 1956.

In the years following World War II, Miró became increasingly experimental, initiating projects that employed lithography, pochoir, woodcuts, calotypes and various forms of texturizing and defacement in printmaking.

It was in this period of great creativity that Miró partnered with Maeght to create “Makemono” — a showcase of vibrant colors and technical prowess.

As its name suggests, Miró modeled the scroll after picture and calligraphic scrolls of ancient East Asian origin. Similar to traditional Asian scrolls, which present a narrative journey for the viewer, Miró filled “Makemono” with his own biomorphic characters, such as birds, eyes and the moon — an evolving visual language of figures that became the artist’s trademark throughout 20th century.

To complete the experience, the scroll is housed in a hand-carved, painted and varnished wood box, also composed by Miró.

The acquisition of “Makemono” complements the notable holdings of Miró material in the Aramont Library, a collection donated to the Library several years ago. In private hands for over 40 years, the Aramont Library consists of 1,700 volumes of literary first editions, illustrated books and an astonishing collection of “livres d’artiste” — books produced by some of the most important modern artists of the 20th century.

“Makemono” achieves a distinct blend of East and West, with an added taste of Miró’s native Catalonia — a true landmark in his own notorious experimentation with different forms of visual storytelling.


  1. Mary Baran
    May 4, 2022 at 10:11 am

    Will LOC put entire work on public display soon?

  2. Suzanne Percello
    May 5, 2022 at 4:55 pm


    (typo in the fourth paragraph.)

  3. patricia behler
    May 8, 2022 at 5:13 pm

    What a joyous surprise to find a section of Miro’s scroll opened for us to see! It does have some similarity to the historic scrolls of Asia often depicting an event, sometimes in sequence. However, by seeing this section, I surmise that this scroll represents only a representation of separate symbols that Miro chooses to use. Although somewhat the same function, I consider Miro’s motivation for this presentation to serve a different purpose.

    May 9, 2022 at 12:18 pm

    i would like to see more of the miro scroll can you please send me the lot to review and look at

    • Neely Tucker
      May 9, 2022 at 4:11 pm

      Hi Sharon,

      Alas the entire scroll has not yet been digitized; a piece of that size is very challenging to scan.


  5. Grace DiVirgilio
    May 19, 2022 at 10:55 am

    Beautiful! I wonder if this inspired The Very Hungry Caterpillar.

Add a Comment

This blog is governed by the general rules of respectful civil discourse. You are fully responsible for everything that you post. The content of all comments is released into the public domain unless clearly stated otherwise. The Library of Congress does not control the content posted. Nevertheless, the Library of Congress may monitor any user-generated content as it chooses and reserves the right to remove content for any reason whatever, without consent. Gratuitous links to sites are viewed as spam and may result in removed comments. We further reserve the right, in our sole discretion, to remove a user's privilege to post content on the Library site. Read our Comment and Posting Policy.

Required fields are indicated with an * asterisk.