At the end of the 19th century, educator William Henry Crogman had a revolutionary idea: a textbook on African American history, achievements and survival for Black students both in and outside of the classroom. His "Progress of a Race," a textbook that told the history of African Americans as overcoming violence and bigotry, was not the first of its kind but probably the most influential. It caught on quickly, was heavily circulated and sold door-to-door through subscription for decades. The Library preserves several editions of this book, including the 1898 first edition.
The Library has six letters that Albert Einstein wrote to Margarita Konenkova, a Russian national with whom he had a passionate, late-in-life affair while he was at Princeton. Einstein was a widower, Konekova was married to a famous Russian sculptor. The affair was not revealed until 1994. The letters, our staff experts write, mix Einstein’s humanity with his genius.
"The Exhibit of American Negroes" was a display of hundreds of photographs, charts and graphs detailing the lives of Black Americans at the 1900 Paris Exposition, or world's fair. It was put together by W.E.B. Du Bois, Thomas Calloway and Daniel A.P. Murray, three major activists and educators of the era (Murray worked for the Library). Here, we look at three photographs of women that Du Bois selected for the exhibition.
In 1812, Massachusetts Gov. Gov. Elbridge Gerry signed a bill he didn't like, one the reordered some political districts into particularly odd shapes to favor one party. One contorted district looked like a huge salamander -- and the term "Gerrymander" was born. A political cartoon enshrined it into U.S. history.
Mila Hill, a a junior fellow in the Office of Communications this summer, made a startling discovery when she was looking at the Blackwell Family Tree in the new Treasures Gallery -- she was part of the family.
The folklorist Sidney Robertson was one of the trailblazing American women of the 1930s and 1940s, the kind of life you’d associate with Martha Gellhorn, Dorothea Lange or Zora Neale Hurston. Her work directing the California Folk Music Project from 1938-40 is the subject "California Gold," a new book from the Library and the University of California Press.