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A stark portrait of a smiling man dressed in black standing next to a black grand piano against an entirely white backdrop.

From “Happy Days” to “The Love Boat,” Charles Fox’s Themes Were Always Exciting and New

Posted by: Mark Hartsell

Charles Fox was always exciting and new -- the composer was a hit-making wonder in the 1970s and 1980s, writing themes for television shows such as “The Love Boat,” “Happy Days,” “Laverne and Shirley,” “Wonder Woman" and “Monday Night Football.” He also composed classic hits such as "Killing Me Softly with His Song" and "I Got a Name." A trove of his papers are now at the Library.

The opening pages of the first printing of Handel's "Messiah" score. An elaborate full-page portrait of Handel, complete with a flowing white wig, is on the left. The title page is on the right.

Hallelujah for Handel’s “Messiah”

Posted by: Mark Hartsell

Few things say "Christmas" quite like George Frideric Handel’s 18th-century oratorio “Messiah” — the thrilling power of its “Hallelujah” chorus has given audiences goosebumps for 283 years and counting. The Library holds some dazzling early printings, including a complete orchestral score bound in sumptuous red leather, brilliantly gilded.

A pictograph drawn on a browned sheet of paper.

Battle of the Sierra Blanca: The Comanche Map

Posted by: Mark Hartsell

The Battle of Sierra Blanca was a 1787 fight between Comanche and Apache forces in New Mexico, as Spanish colonists convinced the Comanches to go to war against Apache raiding parties. An unnamed warrior drew a pictograph depicting the battle action and gave it to a Spanish officer. Today, it’s a rare chronicle of Native history, held in the Library’s collections.

A lush portrait of two royal boys, lavishly dressed in an ornate room.

Washington’s Plot to Kidnap a British Prince

Posted by: Mark Hartsell

During the Revolutionary War, George Washington approved an audacious plan to kidnap King George's third son, Prince William, then in New York, and hold him hostage -- with all the greatest respect. The attempt was never made, for which the future King William IV was grateful when he later learned of the plot.

Color photo at sunset, with dark blue sky with clouds in the distance. In the foreground, an illulminated glass pyramid is flanked by classical french buildings.

The Great Pyramid of Pei

Posted by: Mark Hartsell

In 1983, Chinese American architect I.M. Pei was commissioned to devise a solution to a growing problem in France: the outdated entrance to the Louvre museum in Paris no longer could accommodate increasing throngs of visitors. His solution of a glass pyramid, initially controversial, is now considered iconic, adding a dazzling touch to a city renowned for its architecture.