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Category: LCM

Three people moving along a waterway on an airboat with clear blue sky in the background. A woman sits on the front row, a pilot and videographer sit behind and above her on the second row.

Indigenous History Kept Alive at the Library

Posted by: Wendi Maloney

The Library's American Folklife Center and the Mellon Foundation have teamed up over the past several years to set up a series of grants that help preserve traditions that may otherwise be absent from the national record. For the most recent year, these include dances of the Nottawaseppi Huron Band of the Potawatomi, artistic creations of the Comanche Nation of Oklahoma and traditional Hawaiian music. These works are then preserved in Library collections for future generations.

An ink and watercolor sketch of the burned U.S. Capitol Building in 1814. The roof is gone and fire and smoke damage is visible.

Book(s) Burning: The Library Survived Two 19th-Century Fires

Posted by: Wendi Maloney

This article also appears in the March-April issue of the Library of Congress Magazine. The Thomas Jefferson Building has awed visitors ever since it opened its doors in 1897. The grand building is more than a marvel of art and architecture, though; it’s also a monument to function and safety — fire safety in particular. …

George Washington and King George III — Exhibit Showcases Common Ties

Posted by: Wendi Maloney

A major new Library exhibition, “The Two Georges: Parallel Lives in an Age of Revolution,” uses original documents such as letters, diaries, maps, newspapers and political cartoons to shed light on striking likenesses between men long supposed to be polar opposites -- George Washington and King George III. The two opposed one another during the Revolutionary War, but actually shared many personal and leadership traits. The exhibit, a joint project between the Library of Congress and the Royal Archives, runs at the Library through next March. It is also online via the Library's website and in a companion book.

Image of an ornate clock showing 2:05 with sculpted male figures sitting on each side of the clock face

Publishing at the Library, with Aimee Hess

Posted by: Wendi Maloney

In this edition of "My Job" at the Library, Aimee Hess talks about her work in editing and producing books that highlight the Library’s collections. She oversees the Library's Crime Classics series, has written two books in the "Women Who Dare" series and cowritten two books: one on the suffrage exhibition, “Shall Not Be Denied"; and one about the Library's photograph collections, “The Joy of Looking."

A woman with sterile rubber gloves leans over a turntable to place a needle on a record.

Saving the Sounds of History

Posted by: Wendi Maloney

The Library's custom-designed multitracking studio at National Audio-Visual Conservation Center was built to house and preserve the collections of guitarist and audio-engineering innovator Les Paul. But it's also used to convert, preserve and save recordings made on formats that may not last. It's one of several labs that use cutting-edge technology to save the nation's recorded sound history.

A man in a cap and glasses stands behind of a large desk with several items set in front of him.

Alan Haley, Preservation Specialist

Posted by: Wendi Maloney

Alan Haley, a preservation specialist in the Conservation Division, has worked on everything from an ancient Chinese scroll to the transcript of the Amistad trial in the Library's collections, but has also traveled the globe assisting other libraries with important items or artifacts that are threatened.

“Language is Life” and Native American Historical Voices

Posted by: Wendi Maloney

The Library and three Native American tribes are collaborating on a project to digitize and restore some 9,000 wax cylinder recordings of Native Americans singing and telling stories from more than a century ago. The work is the subject of "Language is Life," a documentary narrated by Joy Harjo, the former U.S. poet laureate. It premiered at the Library in November in advance of its broadcast as part of the PBS series, “Native America.”