Dear (Whoever You Are), Here’s the First Christmas Card
Posted by: Neely Tucker
The story of the very first commercial Christmas card, the 1843 creation of British arts patron Henry Cole and illustrator John Calcott Horsley.
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Posted by: Neely Tucker
The story of the very first commercial Christmas card, the 1843 creation of British arts patron Henry Cole and illustrator John Calcott Horsley.
Posted by: Neely Tucker
Harry Houdini's collection at the Library of Congress shows that he worked so extensively with police that he wrote a handbook on how smart criminals worked. It was called, "The Right Way to Do Wrong."
Posted in: LCM
Posted by: Neely Tucker
The backstory of how "The Postman Rings Twice," one of the most famous titles in 20th century American literature, got its curious title.
Posted in: Books, Crime and Punishment, LCM, Manuscripts
Posted by: Neely Tucker
Bestselling crime author Laura Lippman writes, in a short essay, on the importance of empathy in her fiction, not high body counts.
Posted in: Crime and Punishment, LCM
Posted by: Neely Tucker
A peek inside the Truman Capote's notebooks for "In Cold Blood" that are in the Library's collections.
Posted by: Neely Tucker
Raymond White discusses his work as a Music Division specialist.
Posted by: Wendi Maloney
This post is republished from the January–February issue of LCM, the Library of Congress Magazine. The entire issue is available online. In his classic novel “Native Son,” Richard Wright tells the story of a poverty-stricken young black man who takes a job as a chauffeur to a white family in Chicago, accidentally kills the daughter …
Posted by: Wendi Maloney
At any other theater, they would be the world’s most annoying moviegoers — the last people with whom you’d want to spend a few hours in a confined space. They talk endlessly among themselves as the film plays. They shout to acquaintances across the theater. They talk back to the screen. They forever check their …