The papers of Jonathan Larson and Leonard Bernstein are among many of the Library's musical holdings that have been used extensively by composers, actors and musicians in producing works on Broadway and in Hollywood. Lin-Manuel Miranda drew on Larson's papers for his production of "tick...tick...BOOM!" and the creative team behind the Bernstein documentary "Bernstein's Wall" and the feature film "Maestro" used Library collections for their works.
The complete Stephen Sondheim collection is now at the Library, opening much of the maestro's legendary career to fans and researchers. It's treasure trove built over the past 30 years, featuring some 15,000 albums and more than 5,000 manuscripts, music and lyric sketches and other items documenting his creative process, all spelled out in Sondheim’s clear, careful hand.
You thought no one edits Shakespeare? Actually, they did. All the time. The Rare Book and Special Collections Division holds seven printings of William Shakespeare’s “Romeo and Juliet” that include scenes being cut out entirely, characters' roles being reduced and even an added conversation between Romeo and Juliet in the play’s final scene (he lives just a wee bit longer in this version). These alterations over the centuries challenge our contemporary reverence for Shakespeare as an untouchable genius.
In 1791, President George Washington entrusted French-born American architect Pierre Charles L’Enfant with designing a plan for the nation’s capital. L'Enfant's map became the blueprint for the nation's distinctive capital city, with most of its features still evident today.
The photographer John Margolies chronicled the weird and wonderful ways American businesses advertised themselves along the nation's roadways in the latter half of the 20th century. He felt dinosaur-shaped gas stations and a giant gunslinging shrimp advertising a restaurant weren't just roadside kitsch but a genuine expression of the national identity. The Library preserves more than 11,000 of his images.
In 1849, a year after the end of the Mexican War, amateur American artist Benajah Jay Antrim and several others set out across Mexico. He recorded the journey in three diaries and two sketchbooks, creating a illustrated travelogue, a kind of time capsule that captured relatively undeveloped parts of rural Mexico, that's preserved at the Library.
The beloved hymn “Amazing Grace,” written by John Newton, is one of the most recorded songs in history. But it didn't particularly stand out when it was published in the "Olney Hymns" collection in 1779. It's not even called "Amazing Grace," just numbered "Hymn 41." The hymn book was huge, containing 280 hymns by Newton and 68 by William Cowper, a poet and Newton's friend. The volume also contains Cowper's “Light Shining Out of Darkness,” which coined the maxim still in use today, “God moves in mysterious ways.”
The Library's American Folklife Center and the Mellon Foundation have teamed up over the past several years to set up a series of grants that help preserve traditions that may otherwise be absent from the national record. For the most recent year, these include dances of the Nottawaseppi Huron Band of the Potawatomi, artistic creations of the Comanche Nation of Oklahoma and traditional Hawaiian music. These works are then preserved in Library collections for future generations.
Wendy Red Star is a Native American visual artist whose work has received widespread acclaim and been awarded the MacArthur Fellowship, commonly called the "genius grant." Her work is also collected at the Library. In this short essay, she writes about a research trip to the Library and how the collections inform her work.
