To tell the history of Los Angeles, artist Barbara Carrasco wove vignette scenes through the flowing tresses of “la Reina de los Ángeles,” based on a portrait of her sister. The 80-foot mural stretches from prehistory (the La Brea Tar Pits) to the imagined future (Los Angeles International Airport’s Space Age Theme Building) with subjects ranging from the inspiring to grievous. Carrasco's original graphite design, depicting L.A. history flowing through long tresses of hair, now has a home in the Library.
Alan Haley, a preservation specialist in the Conservation Division, has worked on everything from an ancient Chinese scroll to the transcript of the Amistad trial in the Library's collections, but has also traveled the globe assisting other libraries with important items or artifacts that are threatened.
President Thomas Jefferson devised two versions of a unique cipher for the Lewis and Clark expedition across the unknown Louisiana Territory so that the explorers could relay sensitive information to him. They were never used, but the Library has preserved both ciphers as curious relics of a bold mission across a wild continent.
The Edith Book of Hours is a tiny 14th-century masterpiece of Gothic illumination. It's less than 3 inches tall and 2 inches wide, yet has more than 300 pages and is filled with gorgeous illustrations, still vibrantly colorful after more than 700 years.
The Library and three Native American tribes are collaborating on a project to digitize and restore some 9,000 wax cylinder recordings of Native Americans singing and telling stories from more than a century ago. The work is the subject of "Language is Life," a documentary narrated by Joy Harjo, the former U.S. poet laureate. It premiered at the Library in November in advance of its broadcast as part of the PBS series, “Native America.”
Broadway legend Florence Klotz won six Tony Awards for her costume designs, more than any previous designer. The Library’s Florence Klotz Collection includes designs for many of her works, including “Follies,” “A Little Night Music,” “Pacific Overtures,” “On the Twentieth Century,” “City of Angels" and “Kiss of the Spider Woman." For her final show alone, a revival of "Show Boat," she designed 585 costumes for 72 actors. In all, there are approximately 2,500 designs, plus hundreds of additional pages of correspondence, notes, photographs and other items. There also are more than 40 “Show Bibles” — extraordinary volumes that track every aspect of every costume for a show by performer.
For 34 years, Kathy Woodrell helped bring the Library's decorative arts collections to light. She recently retired. Here, she reflects on her years at the Library, particularly how her early exposure to architecture, antiques and textiles influenced her career.
Tim Gunn is an academic, bestselling author and pop culture icon. He won an Emmy Award for his role as host of “Project Runway.” He wrote this short essay on the difference between fashion and clothes for the Library of Congress Magazine's fashion issue.
Harper’s Bazar magazine opened up a wide world for the modern woman of 1902, including a large foldout sheet of sewing patterns for the thrifty homemaker. When unfolded, the sheet revealed a bewildering tangle of dots, dashes, lines, X’s and ovals that crisscrossed a total of 1,134 square inches of paper in an unholy mess covering both front and back. The marks delineated patterns for 60 articles of clothing.
When unfolded, the sheet reveals a bewildering tangle of dots, dashes, lines, X’s and ovals that crisscross a total of 1,134 square inches of paper in an unholy mess covering both front and back. The marks delineate patterns for a whopping 60 different component parts of articles of clothing.
