If you were a well-born English lady in a 17th-century family, you might be just as likely to accessorize your satin gown with earrings or a fan as you would an elaborately embroidered prayer book. The Library preserves a customized 1641 Book of Psalms, a marvel not only for its diminutive size, but also for its remarkable condition and lavish decoration. At more than 380 years old, its golden threads remain unfrayed and its intricate swirls of tiny seed pearls — hundreds of them — are perfectly intact.
The Library has worked for more than two decades to boost its holdings of modern Native American art and now has more than 200 prints and photographs by more than 50 contemporary Indigenous printmakers and photographers from the United States, Canada and Latin America. These include dazzling works by artists and photographers such as Wendy Red Star, Kay Walkingstick, Brian Adams, Zig Jackson and Rick Bartow.
When Abraham Lincoln appointed Ainsworth Spofford as Librarian of Congress in 1864, he changed U.S. history. Over the next 32 years, Spofford transformed a small library just for members of congress into a national institution, got the funding for the magnificent Jefferson Building and set it on a course to become the world's largest library.
This article also appears in the March-April issue of the Library of Congress Magazine. The Thomas Jefferson Building has awed visitors ever since it opened its doors in 1897. The grand building is more than a marvel of art and architecture, though; it’s also a monument to function and safety — fire safety in particular. …
A major new Library exhibition, “The Two Georges: Parallel Lives in an Age of Revolution,” uses original documents such as letters, diaries, maps, newspapers and political cartoons to shed light on striking likenesses between men long supposed to be polar opposites -- George Washington and King George III. The two opposed one another during the Revolutionary War, but actually shared many personal and leadership traits. The exhibit, a joint project between the Library of Congress and the Royal Archives, runs at the Library through next March. It is also online via the Library's website and in a companion book.
Maya Freelon’s immersive exhibition “Whippersnappers: Recapturing, Reviewing, and Reimagining the Lives of Enslaved Children in the United States” at Historic Stagville in Durham, North Carolina, drew on Library materials to a new lens on the lives of enslaved children at a former plantation.
The Arthur Singleton and Jessie Lockett collections are the Veterans History Project’s first from African American veterans of World War I, and their letters, journals and photographs offer glimpses into the adversity and resilience that characterize the African American experience of that war. They are small time capsules into another era of American life.
—This is a guest post by Adam M. Silvia, a curator in the Prints and Photographs Division. As a photojournalist, Taro Yamasaki photographed at-risk children in the United States and around the world — Nicaragua, Bosnia, Rwanda, the Middle East. The Prints and Photographs Division recently acquired three collections that document such work by the …
When the Library of Congress began in 1800, it had 152 works in 740 volumes. Also, there were three maps. Today, as its 225th birthday arrives, the Library has amassed more than 181 million items from around the world, forming what is widely considered to be the greatest collection of knowledge ever assembled. How did it happen? This story walks readers through the Library's fascinating history.
