Linnea Vegh was working at a large, well-lit workspace in the Conservation Division on a recent day, considering an unusual problem in an 1869 Persian-Arabic dictionary published in India: Snakeskin. Five thin, scaly pieces, all likely used as bookmarks that got left behind for more than a century. Welcome to the weird world of “inclusions,” an ecosystem known to archivists the world over in which they come across all sort of things readers have purposefully or inadvertently left between a book’s pages.
In 1849, a year after the end of the Mexican War, amateur American artist Benajah Jay Antrim and several others set out across Mexico. He recorded the journey in three diaries and two sketchbooks, creating a illustrated travelogue, a kind of time capsule that captured relatively undeveloped parts of rural Mexico, that's preserved at the Library.
One year after the Civil War, the newly freed Montgomery family in Mississippi bought the huge plantations on which they had been enslaved -- those of Jefferson Davis, the president of the Confederacy, and his brother, Joseph. The Montgomerys would go on to found Mound Bayou, the all-Black Black farming community that President Theodore Roosevelt dubbed "the jewel of the Delta." The family saga was one of the most unusual stories to arise from the ashes of the Confederacy and attempts during Reconstruction to create a democratic society in its wake.
-Research by Micah Messenheimer in the Prints and Photographs Division and Jake Bozza, formerly of the Manuscript Division, contributed to this report. It turns out that William “Bill” Kennoch, one of the nation’s top counterfeit detectives in the chaotic post-Civil War era, didn’t have any nifty nicknames, such as “Dollar” or “Wild.” He was a rather …
In the spring of 1868, with the nation awash in loss and grief following the Civil War, veterans of the Union Army set May 30 as a day “for the purpose of strewing with flowers or otherwise decorating the graves of comrades who died in defense of their country during the late rebellion.” An instant success, it evolved into Memorial Day.
The stormy affair of Josephine Baker and New York's splashy Stork Club in the fall of 1951 was a brief-but-infamous incident and a now fascinating part of the NAACP Legal Defense and Educational Fund's online collection at the Library. Baker's claim of racial discrimination by the club was correct (they served her drinks but not dinner) but she overplayed her hand when she said influential newspaper and radio columnist Walter Winchell saw the entire event and did not come to her aid. Winchell's ensuing vindictive campaign badly damaged her reputation.
Because George Washington and King George III were on opposite sides of America’s war of independence from Britain, we have learned to think of them as opposites. Our research for an upcoming Library of Congress exhibition, “The Two Georges: Parallel Lives in an Age of Revolution,” however, has turned up something much more interesting: They were surprisingly alike in temperament, interests and, despite the obvious differences in their lives and experiences.
This is a guest post by Barbara Bair, a historian in the Manuscript Division. She most recently wrote about Ralph Ellison’s photography work. Two important collections of Native American heritage have been digitized and placed on the Library’s website, enabling readers and researchers to dig into histories that are not widely known. The first, …
“Chicken Heart,” a 7-minute episode of the “Lights Out” radio series that aired just before midnight in March 1937 was a cheesily effective landmark of the Golden Age of Radio. Living on for decades through rebroadcasts, remakes, in syndication and on records, it snaked its way into the childhood memories of everyone from horror master Stephen King to comedian Bill Cosby, becoming a campy horror cult favorite. It was the brainchild of playwright Arch Oboler, a major star of radio whose name has since faded from popular recognition.
