Charles Fox was always exciting and new -- the composer was a hit-making wonder in the 1970s and 1980s, writing themes for television shows such as “The Love Boat,” “Happy Days,” “Laverne and Shirley,” “Wonder Woman" and “Monday Night Football.” He also composed classic hits such as "Killing Me Softly with His Song" and "I Got a Name." A trove of his papers are now at the Library.
Few things say "Christmas" quite like George Frideric Handel’s 18th-century oratorio “Messiah” — the thrilling power of its “Hallelujah” chorus has given audiences goosebumps for 283 years and counting. The Library holds some dazzling early printings, including a complete orchestral score bound in sumptuous red leather, brilliantly gilded.
Johnathan Larson and Leonard Bernstein had huge successes on Broadway, from "West Side Story" to "Rent." Their vibrant careers are preserved in the Library's Music Division, showcasing their generational talents.
On the fourth anniversary of Stephen Sondheim's death, his friend and colleague Adam Guettel -- the Tony Award-winning composer and lyricist of “The Light in the Piazza,” “Floyd Collins” and “Days of Wine and Roses" -- writes a short piece about their friendship.
Stephen Sondheim put together "Send in the Clowns," his most famous song, in about 24 hours during rehearsals of "A Little Night Music." His lyric and music sheets chart the song's quick progression.
The papers of Jonathan Larson and Leonard Bernstein are among many of the Library's musical holdings that have been used extensively by composers, actors and musicians in producing works on Broadway and in Hollywood. Lin-Manuel Miranda drew on Larson's papers for his production of "tick...tick...BOOM!" and the creative team behind the Bernstein documentary "Bernstein's Wall" and the feature film "Maestro" used Library collections for their works.
The complete Stephen Sondheim collection is now at the Library, opening much of the maestro's legendary career to fans and researchers. It's treasure trove built over the past 30 years, featuring some 15,000 albums and more than 5,000 manuscripts, music and lyric sketches and other items documenting his creative process, all spelled out in Sondheim’s clear, careful hand.
The beloved hymn “Amazing Grace,” written by John Newton, is one of the most recorded songs in history. But it didn't particularly stand out when it was published in the "Olney Hymns" collection in 1779. It's not even called "Amazing Grace," just numbered "Hymn 41." The hymn book was huge, containing 280 hymns by Newton and 68 by William Cowper, a poet and Newton's friend. The volume also contains Cowper's “Light Shining Out of Darkness,” which coined the maxim still in use today, “God moves in mysterious ways.”
If that haunting music in the season finale of "Severance" on Apple TV+ sounded familiar, that's because "The Windmills of Your Mind" has been around for 57 years, won an Oscar and has been recorded by more than 300 artists the world over. Lyricists Alan and Marilyn Bergman, the husband-and-wife duo, wrote "Windmills" with composer Michel Legrand. In a legendary career, they won three Oscars and were finalists another 16 times, not to mention their four Emmys and two Grammys. In the Library's collections, we look at their lyrics sheets and interviews to see how they and Legrand combined to put together "Windmills."
