Sir Francis Drake was the swashbuckling man of action in 16th-century England. He circled the globe, made England rich, raided Spanish ships and ports with wild abandon, claimed California for the queen and rescued the first British settlers in North America on Roanoke Island. The Library's stunning collection of contemporary Drake material brings the Elizabethan age back to breathing life.
Wendy Red Star is a Native American visual artist whose work has received widespread acclaim and been awarded the MacArthur Fellowship, commonly called the "genius grant." Her work is also collected at the Library. In this short essay, she writes about a research trip to the Library and how the collections inform her work.
The Library has worked for more than two decades to boost its holdings of modern Native American art and now has more than 200 prints and photographs by more than 50 contemporary Indigenous printmakers and photographers from the United States, Canada and Latin America. These include dazzling works by artists and photographers such as Wendy Red Star, Kay Walkingstick, Brian Adams, Zig Jackson and Rick Bartow.
The Library’s Free to Use and Reuse sets of photographs and prints are copyright-free, yours to use anyway you like. This set of winter photos offers a window in the worlds of lost arts of ice harvesting, snowshoe-making and finally, the society set of snowbirds in Palm Beach, Florida, in the 1950s.
This is a guest post by Barbara Bair, a historian in the Manuscript Division. She most recently wrote about Ralph Ellison’s photography work. Two important collections of Native American heritage have been digitized and placed on the Library’s website, enabling readers and researchers to dig into histories that are not widely known. The first, …
Author and academic Ned Blackhawk has been studying Native American history for a long time, and he thinks there are reasons to be optimistic about the future. He says that groundwork laid over the past several decades, particularly in the 1970s protest movements, has established a growing recognition of Native American influence on the foundations of U.S. culture and society, resulting in a cultural renaissance. His latest book, “The Rediscovery of America,” won the National Book Award for nonfiction this year, and his panel discussion at the National Book Festival was packed.
Printed in Cambridge between 1660 and 1663, the Eliot Indian Bible today represents a landmark in printing history: It was translated into the Wampanoag language of the region’s Algonquin tribes and was the first Bible printed in North America in any language. In recent decades, the Wampanoag nation has used the Eliot Bible as a tool to help resurrect its ancestral language. The Library preserves a 1685 copy.
Some of the U.S. military's best intelligence assets during both World Wars were Native American troops who used their own, unwritten languages as the basis for coded radio messages. These Code Talkers, particularly Navajo Marines, were invaluable in the Pacific theater of World War II. Twenty-nine Navajo Code Talkers were later awarded the Congressional Gold Medal. Many of these soldiers' personal stories are preserved in the LIbrary's Veterans History Project.
The Library recently acquired a rare surviving copy of the complete run of a Civil War regimental newspaper, the Soldier's Letter of the 2nd Colorado Cavalry of the American military. More than a hundred regiments on both sides of the conflict printed at least one edition of a camp newspaper, but few survive and a complete run of one paper is even harder fo find today. The four-page Soldier's Letter, staunchly against slavery and the Confederacy, ran for 50 editions between 1864 until after the war ended in 1865. Though mostly concerned with the regiment's history and daily details of camp life, the paper shows that soldiers were more concerned about warring Native American tribes than they were Confederate units, and they would eventually form a military bridge between the Civil War and the Indian Wars that followed.
