The Library's American Folklife Center and the Mellon Foundation have teamed up over the past several years to set up a series of grants that help preserve traditions that may otherwise be absent from the national record. For the most recent year, these include dances of the Nottawaseppi Huron Band of the Potawatomi, artistic creations of the Comanche Nation of Oklahoma and traditional Hawaiian music. These works are then preserved in Library collections for future generations.
The Library's custom-designed multitracking studio at National Audio-Visual Conservation Center was built to house and preserve the collections of guitarist and audio-engineering innovator Les Paul. But it's also used to convert, preserve and save recordings made on formats that may not last. It's one of several labs that use cutting-edge technology to save the nation's recorded sound history.
Cormac Ó hAodha, a resident fellow in the John W. Kluge Center, is taking a deep dive into the Library's Alan Lomax Collection. Lomax, a major figure in 20th-century folklore and ethnomusicology, made field recordings in the Múscraí region of County Cork, Ireland, in the early 1950s. Ó hAodha is using those recordings as part of his Ph. D studies at the University College Cork into the history of the Múscraí song tradition.
Bernie Taupin took the stage recently to speak with Librarian of Congress Carla Hayden about his songwriting journey with Elton John. The pair are the 2024 Gershwin Prize for Popular Song winners and their award concert will be broadcast on PBS April 8.
When the Library acquired choreographer Garth Fagan’s papers earlier this year, it wasn't just about his work on "The Lion King." Fagan's papers built on Music Division collections of an array of dance luminaries: Martha Graham, Alvin Ailey, Bronislava Nijinska, Katherine Dunham and the American Ballet Theatre. The Library’s dance-related materials cover the American art form from Colonial times to the present. Together, they present a dazzling history of American dance.
The Library wrapped up its tribute to Joni Mitchell on a high note last week with a conversation between the 2023 Gershwin Prize winner and Librarian of Congress Carla Hayden. In an exchange punctuated by laughter and ending in song, Mitchell detailed her unexpected evolution as a musical pathbreaker. The article contains a link to a video of the conversation.
From 1961 to 1976, Ed Beach hosted “Just Jazz” on WRVR-FM in New York City. Beach played jazz — soloists, bands, traditional, modern — ranging from the early 1920s to the 1970s. He featured artists who achieved great fame — Charles Mingus, Duke Ellington, Max Roach — along with musicians new to his audience. The show is now preserved online by the American Archive of Public Broadcasting, a joint project of the Library of Congress and the Boston public broadcaster GBH.
Lin-Manuel Miranda and his production team researched Jonathan Larson's papers at the Library for the new musical, "tick...tick...Boom!" Here's how they did it.
