“Chicken Heart,” a 7-minute episode of the “Lights Out” radio series that aired just before midnight in March 1937 was a cheesily effective landmark of the Golden Age of Radio. Living on for decades through rebroadcasts, remakes, in syndication and on records, it snaked its way into the childhood memories of everyone from horror master Stephen King to comedian Bill Cosby, becoming a campy horror cult favorite. It was the brainchild of playwright Arch Oboler, a major star of radio whose name has since faded from popular recognition.
In his epic “El Norte,” award-winning filmmaker Gregory Nava charted the tragic journey of siblings Enrique and Rosa from Guatemala to Los Angeles in pursuit of the American dream. The 1983 film was inducted into the Library's National Film Registry in 1995 and still resonate in this Hispanic Heritage Month, two decades into a new century. It's one of the highlights of the Library's work in preserving Latino films.
The folklorist Sidney Robertson was one of the trailblazing American women of the 1930s and 1940s, the kind of life you’d associate with Martha Gellhorn, Dorothea Lange or Zora Neale Hurston. Her work directing the California Folk Music Project from 1938-40 is the subject "California Gold," a new book from the Library and the University of California Press.
The Library's custom-designed multitracking studio at National Audio-Visual Conservation Center was built to house and preserve the collections of guitarist and audio-engineering innovator Les Paul. But it's also used to convert, preserve and save recordings made on formats that may not last. It's one of several labs that use cutting-edge technology to save the nation's recorded sound history.
The Oscar-winning songwriter and composer Richard Sherman, whose musical work with his brother was such an essential part of Walt Disney Studios that the company renamed their premier soundstage after them, passed away over the Memorial Day weekend. He was 95. Sherman was in good spirits in 2022 when "It's a Small World (After All)," their song for the Disney theme park ride of the same name, was inducted into the National Recording Registry. He spoke about their career of writing music and lyrics for hit Disney films such as "Mary Poppins," "The Jungle Book" and "Winnie the Pooh."
This June, the Library will open “Collecting Memories: Treasures from the Library of Congress,” an exhibition that explores the ways cultures preserve memory and shows off some of the Library's most valuable holdings. The exhibition is the first in the Library’s new David M. Rubenstein Treasures Gallery.
Debbie Harry and Chris Stein, the anchors of the band Blondie, detail how their landmark 1978 album "Parallel Lines" was put together. The album earned a place this year in the National Recording Registry.
Cormac Ó hAodha, a resident fellow in the John W. Kluge Center, is taking a deep dive into the Library's Alan Lomax Collection. Lomax, a major figure in 20th-century folklore and ethnomusicology, made field recordings in the Múscraí region of County Cork, Ireland, in the early 1950s. Ó hAodha is using those recordings as part of his Ph. D studies at the University College Cork into the history of the Múscraí song tradition.
Blondie, Green Day and the Mexican star Juan Gabriel headline the National Recording Registry Class of 2024, revealed today by Librarian Carla Hayden. The 25 recordings added to registry each year are recognized for their aesthetic, cultural or historical"signficance to the American story, and includes everything from wax cylinder recordings to podcasts. This year's class featured songs and recordings spanning nearly a century, including work by comic actress Lily Tomlin, from hip-hop pioneer Doug E. Fresh (and Slick Rick) and the polished New Wave sound of The Cars.
