The papers of Jonathan Larson and Leonard Bernstein are among many of the Library's musical holdings that have been used extensively by composers, actors and musicians in producing works on Broadway and in Hollywood. Lin-Manuel Miranda drew on Larson's papers for his production of "tick...tick...BOOM!" and the creative team behind the Bernstein documentary "Bernstein's Wall" and the feature film "Maestro" used Library collections for their works.
Journalist, author and historian Clay Risen spent six years working on “Red Scare: Blacklists, McCarthyism and the Making of Modern America,” a narrative history of the anti-Communist panic that consumed the country in the decade after World War II. He'll be discussing the book at the National Book Festival on Sept. 6, but we caught up with him for a conversation beforehand.
We're talking today with David Baron, author of “The Martians: The True Story of an Alien Craze that Captured Turn-of-the-Century America,” who will be at this year’s National Book Festival on Sept. 6. It’s about the public fascination between 1890-1910 with what looked to be the very real possibility of life of Mars. The main cultural artifact of this belief might be H.G. Wells’ 1898 novel, “The War of the Worlds,” which imagined hostile Martians invading Earth in spectacular fashion. But as Baron writes, most of the views were utopian, picturing Martians as a far advanced, heroic people.
Wendy Red Star is a Native American visual artist whose work has received widespread acclaim and been awarded the MacArthur Fellowship, commonly called the "genius grant." Her work is also collected at the Library. In this short essay, she writes about a research trip to the Library and how the collections inform her work.
Maya Freelon’s immersive exhibition “Whippersnappers: Recapturing, Reviewing, and Reimagining the Lives of Enslaved Children in the United States” at Historic Stagville in Durham, North Carolina, drew on Library materials to a new lens on the lives of enslaved children at a former plantation.
Because George Washington and King George III were on opposite sides of America’s war of independence from Britain, we have learned to think of them as opposites. Our research for an upcoming Library of Congress exhibition, “The Two Georges: Parallel Lives in an Age of Revolution,” however, has turned up something much more interesting: They were surprisingly alike in temperament, interests and, despite the obvious differences in their lives and experiences.
