Almost forgotten now, Kay Aldridge was the "The Serial Queen" in the 1940s, turning up in popular cliffhanger serials that were shown on Saturday afternoon matinees just before the main feature. She was also one of the “ten most photographed girls in the world," appearing on the cover of at least 44 major magazines, in hundreds of advertising ad campaigns and in 25 films -- all in just 9 years. She left Hollywood for a happy second life, mostly on the coast of Maine. After she died in 1995, her daughter put together a wonderful scrapbook, now preserved at the Library, that narrates a small-town girl’s ascent to fame. And a little bit of fortune.
Wendy Red Star is a Native American visual artist whose work has received widespread acclaim and been awarded the MacArthur Fellowship, commonly called the "genius grant." Her work is also collected at the Library. In this short essay, she writes about a research trip to the Library and how the collections inform her work.
U.S. Poet Laureate Ada Limón's final lecture last week in the Coolidge Auditorium was a love letter to poetry to libraries and librarians. Her lecture, titled “Against Breaking: On the Public and Private Power of Poetry,” framed poetry as a shared, not solitary, experience and as a celebration of humanity’s range of voices and perspectives.
-This is a guest post by Candice Buchanan and Wanda Whitney in the History and Genealogy Section. Buchanan wrote the first entry; Whitney, the second. Lucy Lazear, the valedictorian of her 1853 graduating class at Waynesburg Female Seminary in Pennsylvania, paused her commencement speech to thank Margaret Bell, a key member of the faculty. “That …
Eileen J. Manchester, manager of the Library's Lewis-Houghton Civics and Democracy Initiative, tells us about her international background -- born in Germany, English is her second language and she also speaks French. She tutored at her local library while growing up in North Carolina, then interned at the Freedom School Partners literacy program and went to South Africa to study its education system. She continued her studies of early modern women writers at the University of Oxford and came to the Library as a junior fellow in the summer of 2018.
The stormy affair of Josephine Baker and New York's splashy Stork Club in the fall of 1951 was a brief-but-infamous incident and a now fascinating part of the NAACP Legal Defense and Educational Fund's online collection at the Library. Baker's claim of racial discrimination by the club was correct (they served her drinks but not dinner) but she overplayed her hand when she said influential newspaper and radio columnist Walter Winchell saw the entire event and did not come to her aid. Winchell's ensuing vindictive campaign badly damaged her reputation.
At times laughing and tossing back her long sisterlocks, U.S. Supreme Court Justice Ketanji Brown Jackson engaged in a lively discussion with U.S. District Court Judge Carlton W. Reeves in the Coolidge Auditorium last week. She talked about her youth and life experiences, all included in her memoir, "Lovely One."
In this edition of "My Job" at the Library, Aimee Hess talks about her work in editing and producing books that highlight the Library’s collections. She oversees the Library's Crime Classics series, has written two books in the "Women Who Dare" series and cowritten two books: one on the suffrage exhibition, “Shall Not Be Denied"; and one about the Library's photograph collections, “The Joy of Looking."
NASA's Europa Clipper has set sail for a moon of Jupiter to explore the possibilies of life. Launced last week, the craft carries a metal vault plate inscribed with the poem “In Praise of Mystery: A Poem for Europa,” by Ada Limón, the national poet laureate. NASA, Limón and the Library invited people worldwide to sign on to the poem and send their names to space with it on a microchip. More than 2.6 million people did so. Their names, alongside the poem, are aboard the Clipper for a six year journey to Europa.
