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Arizona’s Hassayampa River as it passes beneath a highway bridge, looking modern and not too mysterious. Clayton B. Fraser, Hassayampa Bridge at old U.S. Highway 80, Arlington, Arizona, circa 1993.

Of Note: Hassayampers Unite!

Posted by: Josh Levy

In June 1910, a few days after President William Howard Taft signed legislation allowing the Arizona and New Mexico territories to move toward statehood, a strange telegram arrived in the White House, which reveals the story of a river that once buzzed with legend.

Two men in suits standing behind metal radiator on table

Intern Spotlight: Uncovering African American Innovation and Entrepreneurship in the Manuscript Division

Posted by: Josh Levy

This is a guest post by Onur Ayaz, formerly a Junior Fellow in the Manuscript Division. When does entrepreneurship become innovative, and when does innovation become invention? Are activists, educators, scientists, and laborers also innovators? Are they entrepreneurs? In 1918 Carter G. Woodson, an African American historian who also collected manuscripts, ephemera, and other materials …

Hand written draft of a poem by Jane Johnston Schoolcraft.

New from the Manuscript Division: Two Recently Digitized Collections Offer Native American Content

Posted by: Lewis Wyman

During National Native American Heritage Month in November, the Manuscript Division released two new digital humanities sites containing content with Native voices. The Henry Rowe Schoolcraft Papers contain items related to Ojibwe culture and poet Jane Johnston Schoolcraft, and the C. Hart Merriam Papers document California Indian linguistics from various tribal nations.

Marble Lost and Found: The Numidian Marble of the Main Reading Room at the Library of Congress

Posted by: Lewis Wyman

This is a guest post by Clinton Drake, a reference librarian in the History & Genealogy Section of the Researcher Engagement & General Collections Division of the Library of Congress. “In the form of your building, color bears much the same relation as it does to the human form; it distinguishes the living from the dead,” …