On the 100th anniversary of the Immigration Act of 1924, the case of Gin Foo Wong highlights how Asian immigrants attempted to circumvent the law’s nativist policies through the tactic of creating “paper” sons and daughters.
Long subject to discriminatory immigration policies and violence, being Asian American in the United States has always been marked by incongruence and difficulty made clear in the correspondence between Viet D. Dinh and New York Times journalist Anthony Lewis.
When juxtaposed with her memoir, one discovers discordant, countervailing emotions regarding her adopted city in the correspondence of Washington Post editor Meg Greenfield that parallel the famous, sometimes dissident sound of the avant-garde New York band, The Velvet Underground.