Senior Music Specialist Loras John Schissel shares the backstory of how composer Carl Engel, then-Chief of the Library of Congress Music Division, participated in the Library of Congress' acquisition of its Gutenberg Bible, one of the Library's most renowned treasures.
The Library of Congress Music Division recently acquired the Rudolf Barshai Papers, consisting of scores and orchestral parts enriched with the composer-ochestrator's personal annotations. Though the collection is not yet processed, interested researchers are encouraged to contact the Music Division to inquire about accessing its material.
While every week at the Library offers something exciting for visitors, researchers and staff, there are certain occasions (like this week) when there is a confluence of musical activity that should perk up everyone's ears. Three major events will grace the Coolidge Auditorium stage, featuring a Broadway and film star, a stellar vocal group that features graduates of the Thomanerchor in Leipzig (that's the chorus that J.S. Bach led at Thomaskirche) and a blockbuster evening of chamber music with the Belcea and Ébène Quartets. Attendees of each event will have a unique chance to see items from the Music Division's collections.
In commemoration of Veterans Day, Senior Music Specialist Loras John Schissel presents a sketch of an important American arranger, composer, and conductor who broke the color barrier in the U.S. armed forces in 1918. This man was Bandmaster William “Will” Henry Bennet Vodery. Vodery's service in the military and his work as a musician is documented in collections available for researchers in the Performing Arts Reading Room.
Film music and musical theater buffs can now explore the scores and papers of composer-arranger Marvin Hamlisch in the Library of Congress Performing Arts Reading Room. Archivist Janet McKinney describes the range of materials, which include photographs, programs, scrapbooks, staging lists, and even Hamlisch's entertainment trophies.
In this guest blog, Senior Music Specialist Ray White discusses the Music Division's recent acquisition of "Last Rites and Matins of the Dead" (ca. 1375-1425), which represents liturgical text, traditions and music of the "Triduum," a three-day period (that includes Halloween and Día de los Muertos) focused on honoring the departed in Western Christian faiths.