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Title page, Orpheus Britannicus: a collection of all the choicest songs, first edition (1698-1702). London: Printed by J. Hepinstall for Henry Playford, 1698. [https://lccn.loc.gov/76771731]

Echoes of the Baroque: Exploring Henry Purcell’s Music at the Library of Congress

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The following is a guest post by Reference Librarian and early music specialist, Dr. Stacey Jocoy.

The Library of Congress is pleased to announce Henry Purcell: A Guide to Resources at the Library of Congress, a new research guide dedicated to one of the Baroque era’s most influential composers. Often called the “English Orpheus,” Purcell (1659–1695) blended Italian, French, and English traditions to create a uniquely expressive musical voice. His contributions span a wide range of genres, from anthems and odes to theatrical music and convivial songs, leaving an enduring impact on English and continental European music.

Purcell’s “Dido and Aeneas” (c. 1680s), one of the first English operas, remains a cornerstone of early operatic repertoire. His theatrical works, including incidental music for Restoration plays, set new standards for dramatic composition. His instrumental music flourished alongside the rise of the public concert, while his sacred anthems shaped English church music and influenced early American composers.

The Library’s Music Division houses a wealth of resources on Purcell, including 17th and 18th century scores, rare manuscripts and scholarly literature. Researchers can explore these treasures in the Performing Arts Reading Room, as well as related holdings in the Rare Book and Special Collections Division.

“From roseye bowrs,” a mad song from “Don Quixote, pt. III,” said to be one of the last pieces composed by Purcell on his deathbed. Manuscript copied in 17th-18th century scribal hand.

Discover the brilliance of Purcell and his lasting influence on composers like Benjamin Britten through this comprehensive guide. Start your research today and explore the music of England’s Baroque master.

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