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Category: Special Collections

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Mozart’s Sister

Posted by: Cait Miller

When I first heard about the new French film, Mozart’s Sister, I immediately marked November 4th on my calendar, because Rene Feret’s new film opens at DC’s E Street Cinema today! Feret has made clear that the film is largely fiction, with historical roots in the Mozart family dynamics and women’s status in 18th-century Austrian …

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“I Love Lucy” at 60 Years Old

Posted by: Cait Miller

The following is a guest post from Senior Music Specialist Ray White. Sixty years ago, on October 15, 1951, America met Lucy and Ricky Ricardo for the first time.  She was a housewife with dreams of a career in show business, and her bandleader husband was as determined to keep her out of show business …

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Pic(s) of the Week: Prohibition Songbooks

Posted by: Cait Miller

  Ken Burns and Lynn Novick’s new documentary, “Prohibition,” aired this week on PBS and I’m sure that many of you have seen it already (if you haven’t caught it on TV yet, you can watch it online here!). In the film, Burns and Novick explore the rise and fall of the Eighteenth Amendment to …

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The Bad Boy of Music

Posted by: Cait Miller

The following is a guest post from Music Archivist Chris Hartten. George Antheil radicalized musical composition in ways that few before him had ever attempted. Born at the turn of the twentieth century in Trenton, New Jersey, Antheil traveled to Europe in 1922 to pursue “ultra-modernist” composition with financial support from arts patroness and Curtis …

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Intern Insights from Jarek Ervin

Posted by: Cait Miller

The following is a guest post from 2011 Junior Fellow Jarek Ervin. My name is Jarek Ervin, and I spent my summer working as a Junior Fellow for the Music Division at the Library of Congress. During the year, I am a graduate student studying Music History at Temple University. My research is mostly focused …

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Intern Insights from Dana Barron

Posted by: Cait Miller

The following is a guest post from 2011 Junior Fellow Dana Barron. The familiar titles were there: Mozart’s The Magic Flute, Puccini’s Tosca, Wagner’s Parsifal.  Others were slightly less well known: Lighthouse by Peter Maxwell Davies and Castor et Pollux by Jean-Philippe Rameau.  And some were downright obscure: La morte di Oloferne, the sole surviving …

Woman with dark hair, fancy dress and pearls with eyes closed and mouth slightly open, singing

And One for Mahler

Posted by: Cait Miller

It’s July 7 – Gustav Mahler’s 151st birthday! Instead of highlighting manuscripts or correspondence by Mahler, I’d like instead to point out another composer/conductor’s commentary on Mahler, as provided in one of Leonard Bernstein’s Young People’s Concert scripts, Who is Gustav Mahler? The script, along with all other scripts for the Young People’s Concert broadcasts, …